Geoffrey Luck

参加作品

Easter Island Unsolved
Director
Easter Island is one of the most isolated inhabited islands on Earth, and a riddle. What happened to the Rapa Nui who populated this ancient Eden? They carved giant statues, the moai, and created a culture of cooperation. Then something failed. Modern explorers investigate labyrinthine cave systems, finding grim clues. Now another sad fate may be in the island’s future – total disappearance.
Mind of a Giant
Director
Naledi: A Baby Elephant's Tale
Editor
The incredible, true-life story of a baby elephant born into a rescue camp in the wilderness of Botswana. When she's suddenly orphaned at one month of age, it's up to the men who look after her herd to save her life.
Naledi: A Baby Elephant's Tale
Director
The incredible, true-life story of a baby elephant born into a rescue camp in the wilderness of Botswana. When she's suddenly orphaned at one month of age, it's up to the men who look after her herd to save her life.
National Geographic: Darwin's Lost Voyage
Producer
Along the wild edges of the Earth, against a stunning backdrop of aerial, underwater, and wildlife photography, evolutionary biologist Armand Leroi leads us on an unforgettable journey retracing the adventure- and uncovering the evidence-that inspired Darwin's revolutionary work, On The Origin of Species.
National Geographic: Darwin's Lost Voyage
Director
Along the wild edges of the Earth, against a stunning backdrop of aerial, underwater, and wildlife photography, evolutionary biologist Armand Leroi leads us on an unforgettable journey retracing the adventure- and uncovering the evidence-that inspired Darwin's revolutionary work, On The Origin of Species.
Renga
Director
“Renga is a linked-verse form of Japanese poetry that, though still practiced today, reached its peak between the 13th and 16th centuries. It is characterized by being a group composition, typically in the presence of judges and an audience, with poets rapidly contributing stanzas such that each new stanza addresses only the previous stanza; there is no overarching plot development, and the overall structure is a chain, not a conventional, linear narrative… In 1989, I had the great privilege to be involved in a film renga that was produced in the graduate film seminar led by Nathaniel Dorsky at the San Francisco Art Institute.” —Eric Theise