Katrina Barker

参加作品

Audrey
Editor
Self-appointed Mother of the Year, Ronnie has given her daughter Audrey everything, so when Audrey selfishly falls into a coma, Ronnie has no choice but to keep their dreams alive by assuming her identity.
Concern for Welfare
Editor
Ali is a gay Lebanese probationary constable and kicking against her Muslim brother's controlling behaviour. When she attends a 'concern for welfare' and discovers the body of an elderly man who died alone and unnoticed, she realises the value of a loving family, even if they can be misguided.
Remembering Agatha
Editor
For Agatha, Christmas triggers sadness. She yearns for freedom laced with imagination, when magical creatures were part of a game played with friends in the forest. The death of her parents after a 1978 Christmas Party still haunts Agatha. She sees similarities between her parents' unhappy marriage and her own. The Black Madonna statue from her childhood visits Agatha, escalating her anxiety and goading her towards change. The discovery of a mysterious portal offers Agatha the possibility of resolving her grief and saving her crumbling marriage.
I Remember 1948
Editor
Speaking in Arabic and English, Soliman Al-Halawani, Dr. Mahmoud Hourani, Fouad Charida, Dib El Chami and Rafica El Chami Batach tell of their life in Palestine before 1948 and give eye-witness accounts of the tumultuous days of 'Al Nakba' (the catastrophe), May 15th, and its aftermath. As children and young adults, they and their families were among 750,000 Palestinians fleeing for their lives, as Zionist terror gangs began seizing villages to enlarge the recently created State of Israel. The stories told by these speakers are poignant, unexpected and sometimes surprising, expressing not only the tragedies but also the small miracles which occur in a human catastrophe of such dimensions. Prevented from returning to their homes, the speakers lived as refugees, eventually making their way to Australia. Their continued longing to see their homeland eloquently expresses the feelings of the dispossessed everywhere, and gives this film a universal dimension.