This comedic retrospective mixes archival footage and scripted sketches as it revisits all the dread — and occasional delight — that 2021 had to offer.
When a young woman meets an aspiring saxophonist in her father’s record shop in 1950s Harlem, their love ignites a sweeping romance that transcends changing times, geography, and professional success.
Portia, a wealthy heiress of Belmont, is forced to set her suitors a challenge. The winner will win her hand in marriage; the losers will lose her hand and much more. In Venice, the epicentre of consumption, speculation and debt, Bassanio borrows money from his friend Antonio to finance his attempt. Antonio, in turn, takes out a loan from the moneylender Shylock. The loan will be repaid when Antonio’s ships return to the city. But if the ships fail to return, and the money cannot be repaid, Antonio will give to Shylock a pound of his own flesh. And they do fail. And Shylock will have his ‘bond’.
Simon Templar creates false identities named after saints in order to steal money from various criminal organizations and redistribute the wealth to others.
