Director Nakamura is mesmerized by a piece at the Teshima Art Museum called "Matrix," a major work about the mysteries of existence by the artist Naito, and she goes to cover her work. However, Naito calls off the shoot in the middle, saying that her creations are getting lost because of the filming. There, the film turns a new corner to depict the women who gather at the "Matrix."…
This documentary follows 200 days in the life of contemporary artist Hiroshi Sugimoto— a leading presence in the world of modern art. He is the winner of many prestigious awards and his photographs are sold for millions of yen at overseas auctions. The film shows the sites of the Architecture series shot in southern France, the huge installation art work at 17th Biennale of Sydney, his new work Mathematics at Provence, his art studio while working on Lightning Fields, and more. It thoroughly pursues the question Sugimoto's works pose - "living in modern times, what are these works trying to tell us?" A thrilling look into the world of Hiroshi Sugimoto.
This documentary follows 200 days in the life of contemporary artist Hiroshi Sugimoto— a leading presence in the world of modern art. He is the winner of many prestigious awards and his photographs are sold for millions of yen at overseas auctions. The film shows the sites of the Architecture series shot in southern France, the huge installation art work at 17th Biennale of Sydney, his new work Mathematics at Provence, his art studio while working on Lightning Fields, and more. It thoroughly pursues the question Sugimoto's works pose - "living in modern times, what are these works trying to tell us?" A thrilling look into the world of Hiroshi Sugimoto.
He feels suffocated and bothered by the small community, be it the local area or the relationships, but he also knows that there is a part of him that can be spoilt somewhere, and he cannot get out of it. This is the situation that most people today find themselves in, but this film depicts the tragedy that is caused by people who are eighteen there, in many different ways. There, victims can also become perpetrators, and perpetrators can instantly become victims, and this is clearly conveyed in the film, which is probably one of the main reasons for the use of middle-aged and older people as heavily weighted performers, which is unusual for an independently produced film.
