G. Balakrishna

参加作品

Pyar Kiye Jaa
Director of Photography
Widower Ramlal lives a wealthy lifestyle near Poona, India along with two daughters and a son. His daughter, Malti, is a Science Graduate; Nirmala, a matriculate, and the son, Atma, who wants his dad to finance a Hindi film which he himself will produce under the banner of 'Wah Wah Productions'
Vennira Adai
Cinematography
Sreekanth is a famous psychiatrist and has earned much praise from his mentor and people in the town. He is in love with Venniradai Nirmala. One day he is assigned a task to cure a mentally unstable women (Jayalalitha) who lives in Kodaikanal. Srikanth informs about this to his lover and request her to wait for him until he finishes this case. Srikanth promises he will return for her and sets out to Kodaikanal. On arriving, he is welcomed by Jayalalaitha's parents who are very much distressed with their daughter's condition. Srikanth questions them about her past but they conceal initially as it might have a severe consequence on her future. Upon reiteration that knowing her past will be very useful for him to cure her, Jayalalitha parents reveal her awful past. Jayalalitha at a very young age got married and within hours, the couple meet with an accident and her spouse dies.
Taj Mahal
Cinematography
Taj Mahal is a 1963 film based on the historical legend of the Mughal emperor Shah Jahan. As per the legend Shah Jahan created the Taj Mahal in fond remembrance and as a tomb for his beloved wife Mumtaz Mahal. It was a commercial and critical hit, but is remembered most for its music.
Do Ankhen Barah Haath
Cinematography
Progressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly guidance.
Jhanak Jhanak Payal Baaje
Cinematography
Dancer maestro Mangal Maharaj wants his son, Girdhar, who is a dancer par excellence, to enter the once-in-ten-years Nateshwar Utsav dance competition, win it, and be crowned the Bharat Natraj. While Girdhar can do a solo dance number, he is also required to dance the Shiv-Parvati Tandav dance with a female partner. Mangal Maharaj would like Roopkala to be his partner, but ends up being disappointed with her. Now with only a year left for the Utsav, he chances upon talented dancer and singer, Neeladevi, and recruits her. He subjects her to strenuous training and he is pleased with her performance. Then he finds out that Girdhar and Neela have fallen in love with each other, and their involvement is interfering with their performance. Unhappy with Neeladevi, he dismisses her, and sets forth to look for another dancer. The question remains: Will he be able to find another one, train her, and make her compete just in time for the Utsav, or will he lose this opportunity altogether and ...