Fred Berman

TWELVE THIRTY is drama about a family with adult children that is broken, and a self-centered young man who, in the span of a week, becomes entangled in each of their lives, wreaking havoc in the process.

Making an indie film is murder under the best of circumstances, but first-time director Eddie Vassick's scenario is chaotic. Halfway through filming his main investor croaks. He has to tangle with the investor's widow who not only demands a plum role in the film when she's never acted a day in her life, but sells the film's rights to none other than Eddie's domineering older brother Warren. Warren is a B-movie mogul, king of commercial flicks, who has cast a shadow over Eddie his entire life. Eddie is forced to bend to Warren's will, and Warren immediately issues an impossible ultimatum, true to form. Eddie must re-shoot the entire film in costly 35mm format in four weeks time, or control of the entire project will revert to Warren. Meanwhile, Warren, who has always been secretly jealous of his little brother's inherent talents, has gotten his hands on a copy of Eddie's script and views this project as his one shot to catapult himself from the "B" leagues into the majors.

A young man is recruited by a secret cult of VIPs to battle the infestation of an ultra-exclusive New York City lounge. As their utopian plans teeter between success and failure, a sycophantic stranger forces them to make the ultimate decision.

A study of the post-adolescent male psyche, Four Letter Words gives an often humorous but raw unadulterated look at the views, attitudes, and language of young men in suburban America. The film focuses on a dwindling summer night's party, at which the characters gather for the first time since high school graduation. As the night's activities take their toll, the immaturity level rises, the profanity flies and of course the drunken brawl breaks out. It will be a night to remember although some would wish to forget.