Director
Director
An immense fall-out between two sisters. A time for reproach and love. Something for a whole life between two beings produced by the same body but profoundly different. Together. And yet, irreconcilable. A fight to the death. Head-to-head. These sisters are our sisters. They are the multitude who live inside each one of us. That multitude is called: need, truth, struggle.
Writer
An immense fall-out between two sisters. A time for reproach and love. Something for a whole life between two beings produced by the same body but profoundly different. Together. And yet, irreconcilable. A fight to the death. Head-to-head. These sisters are our sisters. They are the multitude who live inside each one of us. That multitude is called: need, truth, struggle.
Theatron, the film by the multi-award-winning film-maker Giulio Boato, is an unprecedented portrait of Romeo Castellucci. Castellucci and his theatre company, the Socìetas Raffaello Sanzio, are key protagonists of avantgarde theatre. To a Vivaldi soundtrack, Theatron layers Romeo and Claudia Castellucci’s comments with the testimonies of dramaturgs, composers, choreographers, critics and actors (including Willem Dafoe) who have collaborated with the director. Between rehearsals and international tours, the film is a deep reflection not just on the performances, but also on the connection between the author and the representation of human nature.
Jérôme
オリヴィエ・アサイヤス監督が贈る異色の心理ミステリー。兄を亡くした喪失感の中で、不可解な出来事に直面するヒロインを描く。
オリヴィエ・アサイヤス監督が『アクトレス～女たちの舞台～』に続いてクリスティン・スチュアートを起用し、カンヌ国際映画祭監督賞を受賞した心理ミステリー。『トワイライト』シリーズでブレイク後、本格派女優として活躍するクリスティンが、セレブの私生活を覗くうちに思わぬ事件を招く買い物代行業の女性を繊細かつミステリアスに演じる。予想外の展開を見せる物語は勿論、映画を彩るハイブランドファッションも見逃せない。
Director
One year after the death of his father, a young boy makes the journey to province to meet his grandparents who he does not know, to try to convince them to give him his father's ashes. With his father's friend, he looks for the right place to release his father by scattering his ashes.
Writer
One year after the death of his father, a young boy makes the journey to province to meet his grandparents who he does not know, to try to convince them to give him his father's ashes. With his father's friend, he looks for the right place to release his father by scattering his ashes.
Writer
"Avant que tu reviennes" is the fragmented, deliberately cubist story of a group of friends who get together in a nightclub a few days after one their tribe, who had ties with all of them, abruptly killed himself, leaving no note of explanation.
Director
"Avant que tu reviennes" is the fragmented, deliberately cubist story of a group of friends who get together in a nightclub a few days after one their tribe, who had ties with all of them, abruptly killed himself, leaving no note of explanation.
Director
The last few minutes before two teenagers switch from childhood to adulthood, having sex for the first time. Outdoors, in the snow and under the January sun.
Writer
The last few minutes before two teenagers switch from childhood to adulthood, having sex for the first time. Outdoors, in the snow and under the January sun.
Footage from 2005’s Festival Art Rock in Saint-Brieuc, France, featuring Metric, Sonic Youth, Jeanne Balibar, and other acts.
Writer
During the time it takes for their vehicle to go through the car wash, a couple stands outside, exchanging some apparently harmless dialogue. Once the car is through the wash, we see them get back into the car, where their daughter had remained, and leave. We then understand that they will seperate.
Director
During the time it takes for their vehicle to go through the car wash, a couple stands outside, exchanging some apparently harmless dialogue. Once the car is through the wash, we see them get back into the car, where their daughter had remained, and leave. We then understand that they will seperate.
Writer
The day begins. Louis, 25, takes a cab to Roissy airport to welcome Lacey, who's arriving from New York.
Director
The day begins. Louis, 25, takes a cab to Roissy airport to welcome Lacey, who's arriving from New York.
