Miguel Mirra

参加作品

Fuego en Casabindo
Editor
Fuego en Casabindo
Writer
Fuego en Casabindo
Director
Sara Mamani
Writer
Eduardo Pavlovsky, resistir Cholo
Director
Los ojos abiertos de América Latina
Director
Norita, Norta Cortiñas
Director
Cantata de la tierra nuestra
Director
Darío Santillán, la dignidad rebelde
Director
Argentina documentary
Los ojos cerrados de América Latina
Director
Los últimos
Writer
Los últimos
Director
Pozo de zorro
Writer
Pozo de zorro
Director
Crónica de un extraño
Writer
Crónica de un extraño
Director
Después del último tren
Camera Operator
Después del último tren
Writer
Después del último tren
Director
Hombres de barro
Director
A group of filmmakers travel to a Kolla community in Salta to film their folkways. We see all aspects of their life: farming, herding, cooking, football, and making music during a Pachamama festival. In the course of filming, the leader of the Kolla community changes the filmmakers' view of what the documentary should be, and at the end of their visit they are changed. "La vida se puede ir amasando, como el barro": As life goes along, it becomes more pliant, like clay. An announcement at the beginning of the film states that this is neither fiction nor documentary, but I'd say it's closer to documentary.
La máscara de la conquista
Director
The film tells two parallel stories. One, set in the present, tells of a pagent about the conquest of America, while the other, set in the 15th century, tells of a group of conquistadors coming ashore searching for gold. The film takes place in an unnamed country.
De artistas y de locos
Director
Tierra de mujeres: De Winifreda a Famatina
Director