Julio Matos

参加作品

Blooming on the Asphalt
Post Production Coordinator
As Jack begins his gender transition process, Brazil is plunged into a wave of extreme conservatism. The film follows the transformations in his life and in the country, crossed by an extreme right-wing government and a devastating pandemic. Through an intimate account of the daily life of Jack and his friends, we see a network of affection and solidarity flourishing in the midst of an adverse context.
Blooming on the Asphalt
Production Director
As Jack begins his gender transition process, Brazil is plunged into a wave of extreme conservatism. The film follows the transformations in his life and in the country, crossed by an extreme right-wing government and a devastating pandemic. Through an intimate account of the daily life of Jack and his friends, we see a network of affection and solidarity flourishing in the midst of an adverse context.
Blooming on the Asphalt
Sound
As Jack begins his gender transition process, Brazil is plunged into a wave of extreme conservatism. The film follows the transformations in his life and in the country, crossed by an extreme right-wing government and a devastating pandemic. Through an intimate account of the daily life of Jack and his friends, we see a network of affection and solidarity flourishing in the midst of an adverse context.
Blooming on the Asphalt
Screenplay
As Jack begins his gender transition process, Brazil is plunged into a wave of extreme conservatism. The film follows the transformations in his life and in the country, crossed by an extreme right-wing government and a devastating pandemic. Through an intimate account of the daily life of Jack and his friends, we see a network of affection and solidarity flourishing in the midst of an adverse context.
Blooming on the Asphalt
Executive Producer
As Jack begins his gender transition process, Brazil is plunged into a wave of extreme conservatism. The film follows the transformations in his life and in the country, crossed by an extreme right-wing government and a devastating pandemic. Through an intimate account of the daily life of Jack and his friends, we see a network of affection and solidarity flourishing in the midst of an adverse context.
Blooming on the Asphalt
Producer
As Jack begins his gender transition process, Brazil is plunged into a wave of extreme conservatism. The film follows the transformations in his life and in the country, crossed by an extreme right-wing government and a devastating pandemic. Through an intimate account of the daily life of Jack and his friends, we see a network of affection and solidarity flourishing in the midst of an adverse context.
Blooming on the Asphalt
Director
As Jack begins his gender transition process, Brazil is plunged into a wave of extreme conservatism. The film follows the transformations in his life and in the country, crossed by an extreme right-wing government and a devastating pandemic. Through an intimate account of the daily life of Jack and his friends, we see a network of affection and solidarity flourishing in the midst of an adverse context.
Marginal Territories
Editor
Homeless people from two major Brazilian cities talk about themselves, fabulous their lives and reinventing themselves before the camera. They recognize and reveal different dimensions to be considered when addressing the issue of street populations. They point out subjectivities and the place of harm reduction in society.
Marginal Territories
Screenplay
Homeless people from two major Brazilian cities talk about themselves, fabulous their lives and reinventing themselves before the camera. They recognize and reveal different dimensions to be considered when addressing the issue of street populations. They point out subjectivities and the place of harm reduction in society.
Marginal Territories
Director
Homeless people from two major Brazilian cities talk about themselves, fabulous their lives and reinventing themselves before the camera. They recognize and reveal different dimensions to be considered when addressing the issue of street populations. They point out subjectivities and the place of harm reduction in society.
Letters to Angola
Director
Brazil and Angola while on either side of the Atlantic Ocean have the same language, a common colonial past and many shared stories. In this film, correspondence is exchanged between these two places – some people are longtime friends, others have never met. Their stories intertwine and tell about migration, nostalgia, belonging, war, prejudice, exile and distance. The search for identity and flow of memory are driven by the line of affection that binds the seven pairs of speakers presented in this documentary, people whose life stories are traced between Brazil, Angola and Portugal.