Cinematography
The speculative tale of Canadian outsider musician Lewis and the belated discovery of his 1983 album "L'Amour". A love story composed in myth and song.
Director
The film depicts the lives of the two sole residents of an abandoned company town while unfolding a complex labour history and revealing the vestiges of environmental degradation. Combining large format cinematography and an inquiry into the archival record, it interlaces past and present.
Director
The Okanagan Valley in the southern interior of British Columbia is marketed as a destination of leisure, recreation, retirement and wealth. Behind this facade is a largely invisible agricultural labour force, comprised of temporary migrant workers from the Global South. These workers are placed in a system that is inherently precarious and potentially exploitative, wherein their legal status is tied directly to their employer, with no path to permanent citizenship. While the workers pay into Canadian health care and pension plans, they do not benefit from these social goods as temporary citizens. This film aims to make this labour visible, while contemplating the prescribed aesthetics imposed on the landscape within the region. Formally, the film resides at the intersection of photography and the moving image, while embracing the generative structural limitations of early cinema.
Director
A mesmerizing look at the tranquil countryside found on the Isle of Coll, Scotland.
Writer
Disillusioned by economic precarity, a young woman travels to do temporary farm work on a Gulf Island in British Columbia.
Director
A woman hikes to a secluded section of the Seymour River in the Lower Seymour Conservation Reserve.
Director
A lyrical study of the nearly abandoned company town west of Bella Coola that all but withered and died once its existence no longer made financial sense. Ryan Ermacora and Jessica Johnson invite us to marvel at the stark contrast between the vibrant coastal forests and the manmade structures that have fallen into ruin. An almost spectral presence is on hand to impart tales of a rebellious past and we’re left to consider the grim fates that sometimes befall grand schemes.
Director
E&N is a sensorial exploration of the hidden nature of history embedded within landscapes. The film focuses on the Esquimalt and Nanaimo Railway (E&N), now called the Southern Railway of Vancouver Island, and its implication on indigenous land rights.
