Julio Torres

An aspiring toy designer’s work visa runs out, and a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.

An aspiring toy designer’s work visa runs out, and a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.

An aspiring toy designer’s work visa runs out, and a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.

An aspiring toy designer’s work visa runs out, and a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.

ぬれぎぬを着せられた騎士は、無実を証明するために自由自在に変身できる少女ニモーナに助けを求める。でもこのニモーナこそ、自分が退治しなければならないモンスターかもしれなくて...。

When young loner Anna is hired as the surrogate for Matt, a single man in his 40s, the two strangers come to realize this unexpected relationship will quickly challenge their perceptions of connection, boundaries and the particulars of love.

In this multimedia comedy show, Torres explores his favorite shapes, which include a plexiglass square, a triangle, an oval that wishes he were a circle, a self-conscious cactus and a Ferrero Rocher chocolate that Julio is mad at because she left her little skirt at home. The objects are presented via an industrial conveyer belt and serve as a jumping-off point for fantastical stories, anecdotes and jokes.

In this multimedia comedy show, Torres explores his favorite shapes, which include a plexiglass square, a triangle, an oval that wishes he were a circle, a self-conscious cactus and a Ferrero Rocher chocolate that Julio is mad at because she left her little skirt at home. The objects are presented via an industrial conveyer belt and serve as a jumping-off point for fantastical stories, anecdotes and jokes.

Two young brothers have their first contact with death.