Unscrupulous businessman Luciano reconnects with his estranged family from a previous marriage, only to use their youngest son, awkward and starry-eyed Baldo, as the fall guy for his failing holding company.
The film follows five dancers on an all-white, moving set. At first they wear highly stylised, predominantly white costumes before switching to all-white leotards and coloured cellophane headdresses with matching extensions on each of their fingers. The dancers form complex compositions comparable to abstract paintings and hold their poses in tableaux. At other points they explore parts of the moving scenography.
