Keshav Lal
The movie starts with two innocent and kind hearted guys named Heeralal and Pannalal. They are famous among criminals as they have helped police in capturing them several times. Heeralal is in search of his parent’s killer but has no idea of him at all. Pannalal is in search of his father. Heeralal meets with a girl named Ruby and falls in love with her. Pannalal falls in love with Ruby’s friend, Neelam.
Kalicharan, who is a renowned criminal has decided to teach a lesson to Heeralal and Pannalal for interfering in their business. But instead Kalicharan is forced to run from the police. Police commissioner, Premlal is very happy with the guys and wants to protect them from Kalicharan and his friend, Panther’s anger.
A Zamindar neglects his wife and prefers the company of alcohol and dancing girls. The decadence of the Bangali Zamindar milieu and the raising bourgeoisie in the late 19th century, seen through the eyes of a young upward mobile rustic seeking fortune in Calcutta, and fascinated by the lady of the house.
Pradeep
A romance masquerading as a debate on art. A painter, a writer and a singer meet three women, each of whom loves one of the art forms they practise. Unfortunately, they are mismatched. The ensuing misunderstandings are resolved only after their respective soul mates have been discovered and their marriages arranged. This is one the the last independent films by A. Chakrabarty, formerly of Bombay Talkies and the man who discovered Dilip Kumar in his first film, Jwar Bhata (1944).
Shankar and Paro love each other, but their relationship is strained by his drinking problem and Paro's sudden wealth.
