David Gerain

Vanessa Springora tells how she found herself under the influence of a famous writer. In 1986, she was 13; him, almost 50. She explains how she was the victim of a triple predation: sexual, literary and psychic. But beyond her individual story, she also questions the excesses of an era, and the complacency of an environment blinded by talent and celebrity.

Vanessa Springora tells how she found herself under the influence of a famous writer. In 1986, she was 13; him, almost 50. She explains how she was the victim of a triple predation: sexual, literary and psychic. But beyond her individual story, she also questions the excesses of an era, and the complacency of an environment blinded by talent and celebrity.

This movies examines a period in modern Belgian history which is as heavily mocked as it is revered: the wave of UFO sightings recorded at the end of the 80s.

Sylvie lives with her two children whom she’s raising on her own. One evening, there’s an accident, and her youngest son is removed from her care. Sylvie must subsequently fight to get her son back and to keep herself afloat.

Having cleared his name, genius mechanic Lino has only one goal in mind: getting revenge on the corrupt cops who killed his brother and his mentor.

They come from all over the world but they have one thing in common : The Foreign Legion, their new family. Our Men tells these stories : stories of women who struggle to keep their love fire burning; stories of men who leave for battle; stories of loving couples on hostile ground.

The crew of a West of Ireland trawler—marooned at sea—struggle for their lives against a growing parasite in their water supply.

Like every year, André, manager of a company named ALTER NATIVE that furnishes sanitary article, invites his seven employees to a quietly festive Christmas weekend. Yet, unlike the years before, André has bad news. He is terminally ill and wants to hand over his company to one of them. He will announce his successor in the course of the weekend. His collaborators immediately turn into competitors. When his own son, Philippe, whom nobody knew about, makes a sudden appearance, cards are redistributed, but suspicion quickly arises that André plays a deceptive game. While his employees, in a crazy race behind the back of the others, try to make their mark, Philippe tries to understand the obscure game his father is playing. And what role does the hotel owner play in all this? Jingle bells? Jingle bells!

A young operative is sent on a mission to follow an older agent who's behavior has come into question.

A pair of high-frequency traders go up against their old boss in an effort to make millions in a fiber-optic cable deal.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

　「息子のまなざし」「サンドラの週末」のジャン＝ピエール＆リュック・ダルデンヌ監督が、一人の身元不明少女の死の真相を探る若い女医を主人公に描くヒューマン・サスペンス。少女の死に責任を感じ、その足取りを辿る中で自らも思いも寄らぬ危険に巻き込まれていくヒロインの運命を、現代の様々な社会問題を背景にスリリングに描き出す。主演は「水の中のつぼみ」「メゾン ある娼館の記憶」のアデル・エネル。 　有能な若き女医ジェニー。今は小さな診療所勤めだが、間もなく大きな病院へ好待遇で迎えられる予定。ある晩、診療所の呼び鈴が鳴るが、診察時間は過ぎているからと、研修医ジュリアンがドアを開けようとするのを引き止める。翌日、警察が来て、近くで身元不明の少女の遺体が見つかったと知るジェニー。昨晩の監視カメラには、呼び鈴を鳴らす少女の姿が映っていた。あの時、ちゃんと出ていれば少女は死ななかった、と自分を責めるジェニー。罪悪感から携帯にコピーした少女の写真を手に、名前も分からない彼女の身元を突き止めるべく自ら聞き込みを始めるが…。

第1次世界大戦終結直前の1918年。敗戦国ドイツに多額の損害賠償金を強いるヴェルサイユ条約の締結のため、アメリカ政府のひとりの高官が、年の離れた若くて美しい妻、そして、金髪を長く伸ばし、まるで少女と見まがうような美しい少年を伴って、フランスへとやって来る。息子の養育を妻にすっかり任せ、父親が国際会議に忙しく飛び回っている間に、少年は、教会への投石など、不可解で反抗的な態度をどんどん募らせていく。