Kim Kang-min
出生 : 1979-11-17,
略歴
Kim Kang-min is a Korean animation filmmaker based in Los Angeles, California.
Director
The boy used to play with, and kill, insects. After 25 years, he even had to kill a big monster. He then gets killed by mysterious being.
Writer
My mother's dreams have always been strong premonitions for important moments in my life. I rely on her dreams more than any religion.
Director of Photography
My mother's dreams have always been strong premonitions for important moments in my life. I rely on her dreams more than any religion.
Director
My mother's dreams have always been strong premonitions for important moments in my life. I rely on her dreams more than any religion.
Voice
A father and a son both have the same big birthmark on their butt. Believing that the two birthmarks are connected, the son scrubs his father's birthmark to remove it—but he just can't get rid of it.
Writer
A father and a son both have the same big birthmark on their butt. Believing that the two birthmarks are connected, the son scrubs his father's birthmark to remove it—but he just can't get rid of it.
Director
A father and a son both have the same big birthmark on their butt. Believing that the two birthmarks are connected, the son scrubs his father's birthmark to remove it—but he just can't get rid of it.
Director
A somewhat soothing little animation
Production Design
Dujung, an elementary school student, goes to a farm in the suburbs with his parents. While his parents believe the expensive and rare specialty from the farm will strengthen their son's body, Dujung suffers side effects.
Cinematography
Dujung, an elementary school student, goes to a farm in the suburbs with his parents. While his parents believe the expensive and rare specialty from the farm will strengthen their son's body, Dujung suffers side effects.
Screenplay
Dujung, an elementary school student, goes to a farm in the suburbs with his parents. While his parents believe the expensive and rare specialty from the farm will strengthen their son's body, Dujung suffers side effects.
Director
Dujung, an elementary school student, goes to a farm in the suburbs with his parents. While his parents believe the expensive and rare specialty from the farm will strengthen their son's body, Dujung suffers side effects.
Art Designer
A man enters an old public bathhouse and dream of his father while under the spell of the elevated temperatures.
Animation
A man enters an old public bathhouse and dream of his father while under the spell of the elevated temperatures.
Writer
A man enters an old public bathhouse and dream of his father while under the spell of the elevated temperatures.
Director
A man enters an old public bathhouse and dream of his father while under the spell of the elevated temperatures.
Writer
Visit He visits a city. The city already forgot him. The city is still sinking in his dream. The flicking segments of real life and illusion. Only the lighthouse has his memory. But the memory will may be vanished.
Director
Visit He visits a city. The city already forgot him. The city is still sinking in his dream. The flicking segments of real life and illusion. Only the lighthouse has his memory. But the memory will may be vanished.
Writer
The emotion of people easily changes. It is not easy to define what emotion is. We just feel it. To feel emotion is like to observe nature because nature always changes by time, sun, and wind. When we observe nature, the nature tries to say what our emotion is because the nature leaves the trace of emotion.
Director
The emotion of people easily changes. It is not easy to define what emotion is. We just feel it. To feel emotion is like to observe nature because nature always changes by time, sun, and wind. When we observe nature, the nature tries to say what our emotion is because the nature leaves the trace of emotion.
Director
At the interstice between materiality and immateriality, Direct work on the filmstrip is digitally rendered, creating tension between surface and depth.
Animation
At the interstice between materiality and immateriality, Direct work on the filmstrip is digitally rendered, creating tension between surface and depth.
Director
Firework awakes a forest at night, and the night wood invites us to beautiful place where wood, owl, stream, and giraffe form a wonderful sight. Later, the sun comes up and the night disappears. Animation technique: Scratch on 35mm film. Multi plane
Animation
Firework awakes a forest at night, and the night wood invites us to beautiful place where wood, owl, stream, and giraffe form a wonderful sight. Later, the sun comes up and the night disappears. Animation technique: Scratch on 35mm film. Multi plane
