Robert Guertin

参加作品

In French S'il Vous Plait
Cinematography
A year in the life of a French speaking family and the obstacles they face as a linguistic minority in Nova Scotia.
Bronwen & Yaffa (Moving Towards Tolerance)
Cinematography
This documentary presents two young women from Halifax who are organizing rock concerts to raise money for the group Eastcoast Against Racism. Bronwen and Yaffa believe that the universal language of music will help unite the community. At the same time, they struggle to renew their friendship with Scott, a former Ku Klux Klan member. This moving film is set against a vibrant soundtrack of punk and rap music.
The Moderns
First Assistant Camera
Nick Hart is a struggling American artist who lives amongst the expatriate community in 1920s Paris. He spends most of his time drinking and socializing in local café's and pestering gallery owner Libby Valentin to sell his paintings. He becomes involved in a plot by wealthy art patroness Nathalie de Ville to forge three paintings. This leads to several run-ins with American rubber magnate Bertram Stone, who happens to be married to Hart's ex-wife Rachel.
Nowhere to Hide
Second Unit First Assistant Director
Marine officer Rob Cutter and his wife Barbara have a son named Johnny. Rob discovers that two newly delivered helicopters in his squadron have crashed because a defective part, a C-ring, has been made of a weaker, less expensive alloy. Before Rob can go public with this, Rob is killed on the orders of corrupt General Howard, who did not want Rob to go public with the defective part. Howard believes that Barbara, who is also a marine, now has the part, so Howard and his henchmen set out to kill Barbara and Johnny and get the part, but Howard is underestimating what Barbara is willing to do to protect Johnny.
人類創世
First Assistant Camera
ジャン=ジャック・アノー監督が、火を求めて旅を続ける人類の祖先の姿を描き出した原始スペクタクル。有史以前の世界が忠実に再現され、原始人のメイク・アップも圧巻の出来栄え。セリフなしで画だけで訴えるテーマが感動を呼ぶ。
Celtic Edge
Camera Operator
As one of the most renowned Canadian roots musicians of all time, Ashley MacIsaac has received significant international acclaim. He plays the fiddle in a direct, traditional Cape-Breton style, adding his own unique treatment, mixing genres and making contemporary Celtic music appeal to a wide spectrum of fans. In Celtic Edge, Ashley performs with fellow fiddler Shannon Quinn and DJ/composer Jay Andrews in a concert that explores the relationship between the younger generation of Celtic musicians inspired by Ashley as Ashley discusses his relationship to the older generation of fiddlers who inspired him.