Producer
In the early 1960s, when Greenwich Village was bursting with a folk music revival, the Friends of Old Time Music made it their mission to introduce urban audience to some of the legends of pre-war American traditional music. After a 1961 series of concerts featuring Roscoe Holcomb, Clarence Ashley and Doc Watson, Alan Lomax invited the artists and a who’s who of the folk revival back to his West 3rd Avenue apartment for an impromptu song swap. Filming was arranged on the fly and a raw, many-layered evocation of the art and attitude of the period emerges from the footage, with some of the biggest names of the era, old timers and revivalists alike: Memphis Slim, Willie Dixon, Jean Ritchie, Ernie Marrs, Peter LeFarge, Ramblin Jack Elliott, Guy Carawan,the Greenbriar Boys, and the New Lost City Ramblers.
Director of Photography
In the early 1960s, when Greenwich Village was bursting with a folk music revival, the Friends of Old Time Music made it their mission to introduce urban audience to some of the legends of pre-war American traditional music. After a 1961 series of concerts featuring Roscoe Holcomb, Clarence Ashley and Doc Watson, Alan Lomax invited the artists and a who’s who of the folk revival back to his West 3rd Avenue apartment for an impromptu song swap. Filming was arranged on the fly and a raw, many-layered evocation of the art and attitude of the period emerges from the footage, with some of the biggest names of the era, old timers and revivalists alike: Memphis Slim, Willie Dixon, Jean Ritchie, Ernie Marrs, Peter LeFarge, Ramblin Jack Elliott, Guy Carawan,the Greenbriar Boys, and the New Lost City Ramblers.
Chronicles the 50-year career of singer/songwriter Jean Ritchie, from Viper, Kentucky to the New York stage. Pete Seeger, Arlo Guthrie, and her family and friends in Eastern Kentucky are among those interviewed. A 1996 KET production.
Director of Photography
Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin' Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there's a running commentary about the nature and appeal of folk music. The crowd looks clean cut.
Cinematography
Padstow, a fishing village on the coast of Cornwall, celebrates May Day with an ancient custom: two osses (hobby-horses) dance through the town streets accompanied by drums and accordions. All Padstownians participate in the event, which has now become a tourist attraction drawing over tens of thousands of annual visitors. Folklorists Alan Lomax and Peter Kennedy and filmmaker George Pickow collected footage at the festival in 1951, producing a pioneering work in the use of sound, low-light photography, and conversational presentation of narrative. A favorite of Margaret Mead, who used it in her classes, the film circulated widely and continues to have influence today, especially in the neo-Pagan community.