Jamie Cairney

参加作品

ティル・デス
Director of Photography
After a romantic evening at their secluded lake house, a woman wakes up handcuffed to her dead husband. Trapped and isolated in the dead of winter, she must fight off hired killers to escape her late spouse's twisted plan.
さらば! 2020年
Director of Photography
2020: A year so [insert adjective of choice here], even the creators of Black Mirror couldn't make it up… but that doesn't mean they don't have a little something to add. This comedy event that tells the story of the dreadful year that was — and perhaps still is? The documentary-style special weaves together some of the world's most (fictitious) renowned voices with real-life archival footage.
Ernestine & Kit
Director of Photography
Two ladies in their seventies drive through north County Sligo in a neat Japanese car. As they pass by village pubs and beaches, they imagine the terrible, immoral lives people are living today. Their one consolation is the innocence of children… Adapted from a Kevin Barry short story, this is an absurd and macabre tale about how the petty-minded destroy themselves
Craneway Event
Director of Photography
Craneway Event marks the second collaboration between acclaimed Berlin-based, British artist Tacita Dean and the legendary, late choreographer Merce Cunningham. Shot in 16mm colour anamorphic film, Craneway Event documents Cunningham's company over three days in November 2008 as they rehearsed for an event in the light filled craneway of an abandoned Ford Motors factory in California. Dean's film practice embodies a romantic and insistent materialism, often documenting forgotten moments and spaces teetering on the edge of disappearance. While her predisposition towards the ephemeral is often grounded in the physical world, as a feature length film, Craneway Event solicits an experience of duration that transcends the materiality of space. Craneway Event is the grand beauty and scale of empty industrial space, the delicacy of light, time and air, and the eloquence and subtlety of movement in the visionary work of Merce Cunningham.
イン・ザ・ループ
Director of Photography
The US President and the UK Prime Minister are planning on launching a war in the Middle East, but—behind the scenes—government officials and advisers are either promoting the war or are trying to prevent it.
Spinners and Losers
Director of Photography
Peter Mannion's speech on immigration, leaking the PM's policy, did not have the effect Tucker desired and now the PM is resigning, leaving the way clear for the Nutters and their leader Tom. Ollie has been promised a job by young Nutter Ben Swain, Tucker's assistant has encouraged Hugh's predecessor Cliff to stand as a stalking horse and Glenn is keen to keep Hugh in the frame whilst his boss is in Australia. Fortunately Tom has a dark secret which is just what Tucker is looking for but will it be enough?
Michael Hamburger
Director of Photography
Continuing her recent collection of film portraits, Tacita Dean’s Michael Hamburger is a moving portrayal of the poet and translator, a resident of Middleton in Suffolk and great friend of W.G. Sebald.
The Uncles
Camera Operator
A filmed conversation between Winton Dean and Jonathan Balcon about their fathers Basil Dean (1888 –1978) and Michael Balcon (1896 –1977). Both men helped to pave the way for the British film industry.
Willie's War
Director of Photography
When 10-year-old Willie is evacuated from the East End of London, he is chosen by Zander, 13-year-old son of an army captain, to be his companion in a rambling country house.