Second Assistant Director
何世紀もの間、ひそかに人類を守ってきた4人の不死身の兵士たち。だが、その特殊能力を知った謎の組織が、私利私欲のために彼らを狙い始める。
Sommelier
In France, terrorist groups and intelligence agencies battle in a merciless war everyday, in the name of radically opposed ideologies. Yet, terrorist and secret agents lead almost the same lives. Condemned to secrecy, these masters of manipulation follow the same methods. Alex and Al Barad are two of them. The former is the head of the D.G.S.E.'s (Direction Générale de la Sécurité Extérieure, the French equivalent of the CIA or the MI6) counter-terrorism unit while the latter reigns over a terrorist network, and both fight using the most ruthless of weapons: human beings.
Employed as a spy and given the task of investigating the threat posed by John the Baptist, Mary Magdalene is overwhelmed by John's powerful message of the coming of the Messiah. Gazing into John's eyes before he dies, Mary is left with the certainty that her place is at the side of this great man, Jesus Christ.
The film is notable for presenting a more human Jesus, compared to more solemn portrayals in earlier films; here Jesus laughs and cries like anyone else. Among other things, he weeps at Joseph’s funeral, throws stones in Lake Galilee when meeting Simon Peter and James son of Zebedee for the first time, dances at the wedding at Cana, and starts a water-splashing fight with his disciples as well. Satan is portrayed as a man in modern dress (and as a woman in red). During his temptation of Jesus, he shows him the Earth from the vantage point of space. Satan also shows Jesus images of wars and destruction carried out in his name. The film adds an apocryphal Roman historian named “Livio” who watches and comments as events unfold; he is presumably named after Livy.
