Fernando González Gómez

参加作品

The Elderly
Director
An octogenarian named Manuel (Zorion Eguileor) falls into a state of dementia after the sudden suicide of his wife, sparking a series of paranormal events that will put his family’s lives at risk. Starting as a grounded drama exploring the indignities of old age, THE ELDERLY gradually snaps off one guardrail after another, building to a crescendo of sheer terror with imagery that can never be unseen. This Spanish horror from directors Raúl Cerezo and Fernando González Gómez (THE PASSENGER) features a heart-stopping lead performance from Eguileor (ALL THE MOONS, THE PLATFORM).
The Passenger
Director
Four people traveling in a van run over a lone woman while she is walking in the dark down a country road. After loading her into the vehicle to take her to the nearest hospital, they notice that she is behaving rather strangely. The occupants of the van soon realise that the time has come to fight for their lives, and together they agree on one very simple rule: "do not sit next to her."
Estándar
Editor
Tomás’ two great passions are classical music and a compulsion for putting things in order, which has led to his nickname “rarito” (weirdo). In Tomás’ tidy world, where he works stacking shelves in the supermarket of a quiet, uneventful neighborhood, something changes when his secret platonic love, Laura, disappears. However, thanks to his fondness for tidying up things and noting down everything, he analyses the habits and obsessions of an eccentric array of clients to find out who is behind Laura’s disappearance. In this town nothing is as “standard” as Tomás would like…
Estándar
Writer
Tomás’ two great passions are classical music and a compulsion for putting things in order, which has led to his nickname “rarito” (weirdo). In Tomás’ tidy world, where he works stacking shelves in the supermarket of a quiet, uneventful neighborhood, something changes when his secret platonic love, Laura, disappears. However, thanks to his fondness for tidying up things and noting down everything, he analyses the habits and obsessions of an eccentric array of clients to find out who is behind Laura’s disappearance. In this town nothing is as “standard” as Tomás would like…
Estándar
Director
Tomás’ two great passions are classical music and a compulsion for putting things in order, which has led to his nickname “rarito” (weirdo). In Tomás’ tidy world, where he works stacking shelves in the supermarket of a quiet, uneventful neighborhood, something changes when his secret platonic love, Laura, disappears. However, thanks to his fondness for tidying up things and noting down everything, he analyses the habits and obsessions of an eccentric array of clients to find out who is behind Laura’s disappearance. In this town nothing is as “standard” as Tomás would like…
27 Minutes
Writer
Something just happened, a disturbing horn breaks the quiet of the town.
27 Minutes
Director
Something just happened, a disturbing horn breaks the quiet of the town.
Downunder
Editor
When a man's car breaks down in the middle of nowhere, an unexpected confrontation ensues. If those ditches could talk... 1981, the American Southwest. Daniel is on his way to join his family, cruising through the desert valley while the sun is beating down on his old Chevy. But his car breaks down and he has to pull off the deserted road. But luckily a bad-ass trucker stops by to help him a hand...Remember BREAKDOWN, with Kurt Russell? It's a bit like that, except with a flashy 80's synth score. And what if people are not what they seem and the real evil guy is the one you least expect?
Downunder
Writer
When a man's car breaks down in the middle of nowhere, an unexpected confrontation ensues. If those ditches could talk... 1981, the American Southwest. Daniel is on his way to join his family, cruising through the desert valley while the sun is beating down on his old Chevy. But his car breaks down and he has to pull off the deserted road. But luckily a bad-ass trucker stops by to help him a hand...Remember BREAKDOWN, with Kurt Russell? It's a bit like that, except with a flashy 80's synth score. And what if people are not what they seem and the real evil guy is the one you least expect?
Downunder
Director
When a man's car breaks down in the middle of nowhere, an unexpected confrontation ensues. If those ditches could talk... 1981, the American Southwest. Daniel is on his way to join his family, cruising through the desert valley while the sun is beating down on his old Chevy. But his car breaks down and he has to pull off the deserted road. But luckily a bad-ass trucker stops by to help him a hand...Remember BREAKDOWN, with Kurt Russell? It's a bit like that, except with a flashy 80's synth score. And what if people are not what they seem and the real evil guy is the one you least expect?
What's for Dessert?
Editor
A girl and a boy meet in a restaurant. They don't know each other. They start a meal that will take them through all the phases of a romantic relationship.
What's for Dessert?
Director of Photography
A girl and a boy meet in a restaurant. They don't know each other. They start a meal that will take them through all the phases of a romantic relationship.
What's for Dessert?
Producer
A girl and a boy meet in a restaurant. They don't know each other. They start a meal that will take them through all the phases of a romantic relationship.
What's for Dessert?
Writer
A girl and a boy meet in a restaurant. They don't know each other. They start a meal that will take them through all the phases of a romantic relationship.
What's for Dessert?
Director
A girl and a boy meet in a restaurant. They don't know each other. They start a meal that will take them through all the phases of a romantic relationship.
Viande Rouge
Director