Judit Schäffer

Village-girl (Juli Kovács) arrives in the city to work in a factory. The works manager (János Bodnár) sets his eye on her, but at first the girl refuses his advance.

Dery is a grande dame actress of the Sarah Bernhardt school of big-gesture theater. Her beauty and popularity is fading, and a new school of acting which involves the use of one's own emotions (a-la Eleanora Duse) is emerging in the person of her younger Viennese rival. She thinks of retiring from the stage, and reunites briefly with her estranged husband in a newly-built manor in the country. Finding that life there is boring, she returns to town, the theater, and her old friends.

Bátky János a 20th century intellectual studies the secret of the Rosicrucians in London libraries during the day and in the evening takes pleasure in the "decent" everyday joys offered by the fair sex. He gets involved in the wildest ghost-story in the mysterious Wales castle of the Pendragons, where Earl of Gwynnedd from the 18th century is making experiments to prove his ancestors' slogan, "the resurrection of the body". In the meantime St. Claire, a beautiful, demonic woman and her companions try to kill him for the huge legacy.

Marci, an impertinent crook buries his drunk parents and chooses to wander instead of becoming an apprentice.

The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.

The film is a story of a double journey. The main character of the first journey is the author himself, who, while sitting in his customary café, suddenly realises that he has hallucinations. The psychologist reassures him that all this is merely repression. The symptoms, however, appear again. Soon it turns out that the author has a brain tumour. Professor Pötzl in Vienna suggests operation right away. The intervention, through which he is awake, is carried out in a Stockholm clinic.

This grotesque historical film is a caricature of the narrow-minded and careerist oligarchs of the 20s. A young military officer stops the young jurist from killing himself and recommends him to his commander, lieutenant-colonel Doborján as a typist.

In Budapest, two rival gangs of young boys lay claim to a vacant lot. The hostilities escalate yet never quite boil over into actual violence. Just when things do get out of hand, however, the problem is "solved" by the city government, which takes over the lot for future development.

Kerekes (Antal Pager) believes he is wanted by the police when his friends play a practical joke in this unusual comedy drama. He returns to his hometown where he was accused of turning a Jewish druggist and the druggist's wife over to the Nazis. With his friends following him, Kerekes tries to find out what became of the couple after they were deported. After being subjected to a mock trial by his friends -- and found guilty -- Kerekes becomes despondent and attempts to kill himself. Flashbacks and hallucinations are employed to tell this story that occurs during the Eichmann trial. Both the film and Antal Pager gained some unwanted publicity when a Variety article from April 23rd, 1967 accused Pager of being a Nazi collaborator for his role in an anti-Semitic film during World War II.

A crusading newspaper reporter covers the Soviet invasion of Hungary in 1956. Initially critical of the communists, the feature later espouses the virtues of the social changes implemented since the invasion. The title refers to the period of time the reporter spent interviewing witnesses to the invasion.

In 1963 in Tihany, somebody addresses the writer Gábor Náday. He is reminded of a night drive in 1944 that saved his life. Painful memories start coming to Náday.

The film is a ballad about the dwellers of a block-of-flats in Angyalföld.

December 1956. The region by the Tisza is evacuated because of a threatening flooding. Laci, Karcsi and Péter leave their home on the lorry