George Tracy

Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades' demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.

法も秩序もない西部のある町。腹黒い知事は、黒人奴隷バートを保安官にして住民の不安を募らせ、彼らを町から追い出すことを企てる。だがバートは監獄の常連ジムと意気投合し、知事が送り込んだ無法者一味に立ち向かうのだった。

After being run out of Las Vegas, reporter Carl Kolchak heads for Seattle and another reporting job with the local paper. It's not long before he is on the trail of another string of bizarre murders. It seems that every 21 years, for the past century, a killer kills a certain number of people, drains them of their blood and then disappears into the night. Kolchak is on his trail, but can he stop him?

Orphaned and left in the desert as an infant, Evil Roy Slade (John Astin) grew up alone—save for his teddy bear—and mean. As an adult, he is notorious for being the "meanest villain in the West"—so he's thrown for quite a loop when he falls for sweet schoolteacher Betsy Potter (Pamela Austin). There's also Nelson L. Stool (Mickey Rooney), a railroad tycoon, who, along with his dimwitted nephew Clifford (Henry Gibson), is trying to get revenge on Evil Roy Slade for robbing him.

Arizona Territorial Prison inmate Paris Pitman, Jr. is a schemer, a charmer, and quite popular among his fellow convicts — especially with $500,000 in stolen loot hidden away and a plan to escape and recover it. New warden Woodward Lopeman has other ideas about Pitman. Each man will have the tables turned on him.

An aging lawman and an aging outlaw join forces when their respective positions in society are usurped by a younger, but incompetent Marshal, and a younger, but vicious gang leader.

An upstart outlaw baits a legendary gunslinger, now a marshal in love with a saloon keeper.

An aspiring young singer unexpectedly gets her big break by inventing a specialized clothes rack.

ピューリッツァ賞を受賞したＨ・リーの『ものまね鳥を殺すには』を劇作家Ｈ・フートが脚色（オスカー受賞）、後に「サンセット物語」や「レッド・ムーン」などの社会派ドラマを多く手掛ける製作パクラ＝監督マリガンのコンビが映画化した問題作。不況の風吹く１９３２年、南部のアラバマ州。幼い息子と娘を抱える弁護士フィンチに、暴行事件で訴えられた黒人トムの弁護の任が下る。だが偏見根強い町の人々は黒人側に付いたフィンチに冷たく当たるのだった……。映画はフィンチの子供たちを通して、父親の苦難や町の横暴を極めて客観的に描く事に成功しており、問題意識を振りかざさず、しんみりと心に染み入らせるものになっている。ペックは心強い父親像をよく出しており、アカデミーの主演男優賞に輝いた。黒人弁護のストーリーと並行して、近所に住む精神異常者ブー（Ｒ・デュヴァル）と子供たちの関係も描出されるが、これが物語の終息で融合し、映画に深い余韻を持たせている。

A man has his eyes set on controlling the Big Sag territory in Montana and hopes to achieve his goal by forcing a newly-arrived family from Texas from their land. Hoping to convince the local saloonkeeper to help him, the man sends his daughter into town with instructions for his potential partner. A storm waylays the daughter during her trip to town and she is forced to stay at the home of her father's intended victims, leading to an interesting turn or two.

Gambler Arnold Rothstein marries an actress, avenges his buddy and meets an underworld fate.