Nelson, a skeptical and disillusioned journalist, is having strange experiences. The old scientist who lives in his building tries to convince him that these events are linked to an old study of time travel. Nelson's wife Maria receives a logbook that reveals a timeless communication between them.
Tropical Recife. A Dutch architect is there to study colonial past - or is she looking for erotic freedom? An actress who wants more professional opportunities than Recife can offer. A musician, who revels in melancholy self-flagellation and hatred for the city he can't do without. A tragic love triangle of romantic young people.
Dirceu, 30 years old, has origins that go back to the aristocracy of Northeast Brazilian backlands. Settled in a kind of subjective amnesia, Dirceu tries to bury his family's past. He is a demolition man in Recife, an urban landscape undergoing an uncontrolled process of transformation. Maria shares the same country origins, but she uses the city for a different purpose. She is a carefree and joyful music student. If Dirceu aspires to a world that is stable and present, Maria lives in discord with the present. To her, nothing is as it should be. Maria's apparition unleashes in Dirceu an urge for being somebody else. On a route of escape through the desert of the backlands, a unique encounter is set to happen. Boa sorte, meu amor (Good luck, sweetheart) is an anti-romance of the impact between music and silence.
