David Weiss

David Weiss

出生 : 1946-06-21, Zürich, Switzerland

略歴

From Wikipedia, the free encyclopedia. Peter Fischli (8 June 1952 in Zurich) and David Weiss (21 June 1946 in Zurich), often shortened to Fischli/Weiss, are an artist duo that have been collaborating since 1979. They are among the most renowned contemporary artists of Switzerland. Their best known work is the film "Der Lauf der Dinge (The Way Things Go)." This was described by The Guardian as being "post apocalyptic" as it is all about chain reactions and the way in which objects fly, crash, and explode across the studio it was shot in. For their work, they make use of a large bandwidth of artistic forms of expression: film and photography, art books, sculptures made out of different materials, and multimedia installations. They adapt objects and situations from everyday life and place them into an artistic context—often using humour and irony. In more than 25 years of activity, Fischli & Weiss have exhibited in some of the most important institutions and museums worldwide including Museum Boijmans Van Beuningen, Rotterdam; Museum Ludwig, Cologne; MACBA, Barcelona; Museé d’Art Moderne de la Ville de Paris, Paris; San Francisco Museum of Contemporary Art, San Francisco; Museum of Contemporary Art, Los Angeles; Serpentine Gallery, London; Kunsthaus Zurich, Zurich; and Tate Modern, London. The Swiss duo has also participated in the Swiss Pavilion at the Sevilla EXPO 1992. In 2008 the Nicola Trussardi Foundation presented Altri fiori e altre domande, the first retrospective in Italy of Swiss artists installed in the 17th century rooms of Palazzo Litta in Milan. Art critics often see in the parodying bearing of their work parallels to the artists Marcel Duchamp, Dieter Roth or Jean Tinguely. Fischli/Weiss have represented Switzerland at the Venice Biennale. Both live and work in Zurich. Their works are held in the collection of the Tate and the Guggenheim. Peter Fischli and David Weiss are represented by the Matthew Marks Gallery, New York and Sprüth Magers Berlin London. Description above from the Wikipedia article Peter Fischli & David Weiss, licensed under CC-BY-SA, full list of contributors on Wikipedia.

プロフィール写真

David Weiss

参加作品

きみといた2日間
きみといた2日間
Arresting Officer #2
After an extremely regrettable one night stand, two strangers wake up to find themselves snowed in after sleeping through a blizzard that put all of Manhattan on ice. They're now trapped together in a tiny apartment, forced to get to know each other way more than any one night stand should.
Certainly Not a Fairytale
Certainly Not a Fairytale
Ken
Tired of going out with beautiful but superficial and boring men, a young woman decides to try her luck with an unattractive janitor.
The Way Things Go
The Way Things Go
Director
Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.
The Right Way
The Right Way
Director
A bear and a rat explore dark forests, treacherous ravines and snow-swept glaciers. With no real aim in mind, the bear and the rat bungle along in a folk tale of their own devising, wondering what they should do and where they should go, enjoying nature together, foraging for sustenance, getting lost, squabbling, joking and making music along the way.
The Point of Least Resistance
The Point of Least Resistance
Director
Yet again, a bear and a rat are out to make a lot of money - this time with art. During a tour of investigation, they find a corpse in a gallery and, hoping it will prove to be a means of access to the worlds of culture, action and finance, they take it along with them. However the desired effect is not forthcoming and they become involved in questions and observations on the subject of art and crime. The rat tries to solve the case himself; to him there is no distinction between artist and detective. After a narrow escape from a murder attempt, the two animals join forces once again and, now sadder and wiser, they resolve to improve - something that appears to be far from easy. But at the depths of despair they discover a system of order in the chaos of the world, which encourages them to venture into the area of philosophy. From here, they proceed into undreamed-of insights and flights of fancy.