Ryan Hidayat

The film weaves around four stories all happening in metropolitan, dehumanizing Jakarta. In fact that is what it is about, the quality of meaninglessness of living in a place that turns people into zombies. In a place where meaning must be invented, these kids turn into the only place, the only culture they see worth tuning into: television and movies. Thus they slowly degenerate into the abysmal reinterpretation in a sort of sickening anti-hero, anti-social statements that goes absurdly a wrong turn.

Ricky (Ryan Hidayat) is so disturbed by the death of his girlfriend, Sita (Nike Ardilla), in a parachuting accident that he acts out anti-socially; all he does is drive around in his old, open-top jeep, hanging out with his gang and getting into fights. His bad attitude is exacerbated when he discovers that his father is having an affair with his secretary, while his mother is busy giving lectures to the public about juvenile delinquency. Eventually, he gets into a street fight with the older brother of a girl named Lita (Nike Ardilla).

Elegi for Nana tells about Nana (Ria Irawan) who suffered from end stage leukemia but still trying to do the best in the rest of his life. Reo (Ryan Hidayat) a friend who eventually became his girlfriend trying to offer a song over it all.

Compared to the film "Lupus" Catch me, I'll tell you" Lupus' entourage is more depicted. But just like the previous film, this film is still a combination of humor that stems from the mischief of Lupus et al. Lupus and his girlfriend's parents have "cute creatures on the bus" who it is not clear who the director is, participates in film production but fails, etc.

Lupus is a student journalist of the Merah-Putih High School. He is cool and playful and disturbs everyone including his friends, his mother, his sister, his principal and even those whom he has just met. Occasionally, there are good intentions hidden in his jokes. These traits are representative of the attitude of youths in the 80's. In this film, his relationship with Poppy, is the only narrative thread in a plot that otherwise goes nowhere.

Fantasy flick starring Suzzanna and the usual magic special effects.

With the theme song, Indonesia Tanah Pusaka, the film’s melodrama takes on a nationalistic undertone. Hendrik Maulana, a staff officer in the Netherlands’ Indonesian Embassy, and his half-Dutch wife Nona, return to Indonesia. Hendrik is aware that he has to work hard in his country to support his family. So he trains as an air traffic controller before he returns home. However, there is still the cultural clash and his children have to adjust to school and their hometown. Then Eka, their second child, who is always the scapegoat of the family, runs away. Eka is attracted to an orphan ice seller who can support himself. He joins him selling the ice until he is stricken with typhus. His friend then breaks the news to Hendrik and Nona. Both parents rally with their three children, to complete the family again.

Surya, a retired ship captain and a widower with five children, has trouble with disciplining his kids. So he invites a private teacher to educate and guide his children. Several teachers try and fail. Eventually, a young teacher, Utari, is able to conquer them slowly. One day the children disturb Surya’s future wife. She suspects that Utari is behind it all, so she is fired. Utari goes home, heartbroken. The children are gloomy and the youngest one gets sick. Surya approaches the teacher to work again for them. Utari refuses. Only when the children approach her does she relent and return to Surya’s house.

Blessed with superhuman / Superman-like abilities since birth, Darna battles the evil Maria, a former childhood friend who's now possessed by an evil spirit.

Singer Anna Maria Larasati is a widow with one child but after returning from a visit abroad, she regains her popularity back home. One of her fans, Johan, is the son-in-law of a rich man, who is not happy with his marriage and now tries to pursue Anna Maria. But she rejects him and he gets into an accident and is killed. Then Budiman, comforts her and also helps her take care of her son, Boy. Budiman has been attracted to Anna for a long time but when their love starts to bloom, Anna’s chronic disease strikes back. On her deathbed, she asks Budiman to look after Boy.