Cong Feng
略歴
CONG Feng was born in 1972 in Chengde, Hebei province, China. He is a film maker, writer, photographer, and one of the editors of FILM AUTEUR magazine. He has self-polished 2 poem selection books. His major film works include: Doctor Ma’s Country Clinic, The Unfinished History of Life, Stratum 1: The Visitors, Rooms With Mao’s Images and Stratum 2: The Asthenosphere. His films had been shown in many film festivals like Berlin International Film Festival, Cinema Digital Seoul Film Festival, Yamagata International Documentary Film Festival, Hong Kong International Film Festival, Vienna International Film Festival, Taipei International Documentary Film Biennale, etc... And he has won the NETPAC Award in the 57th Berlin International Film Festival, the Directors’ Guild of Japan Award at Yamagata Film Festival, and the Grand Award at Yunnan Multi Cultural Film Festival. His photograph works had been shown at New Chinese Photography section at Pingyao International Photography Festival 2002.
Director
Since 2020, the beginning of Coronavirus, "Shouting in the building" this phenomenon caught my attention countless times. It does not seem to me that people are Shouting, but that the buildings, the rooms themselves, are Shouting, and it embodies the throbbing of the earth itself in the new age we live in.
Editor
This is a film both about the spectacle and the space, about how the spectacle has caused the mutation of the (physical and phycological) space in which we reside. This film is determined to be the ‘film on space’ of our times, an epic theater, the general observation of the geological structure of this time. I therefore invent or re-invent some terms for my purpose: Archae(now)logy; Ruinology; space bankruptcy; theater of life -- theater of cruelty -- theater of spectacle; the body-film; the New Berlin Wall - Iron Curtain; and “refugees without camps”, ‘the plants”, “the ghosts,” the asthenosphere, dark energy... I have stolen a great amount of found footages/ready materials or already existed films. This “stealing” is exactly the way to get connected with history and the history of film, to construct an “echo film”.
Writer
This is a film both about the spectacle and the space, about how the spectacle has caused the mutation of the (physical and phycological) space in which we reside. This film is determined to be the ‘film on space’ of our times, an epic theater, the general observation of the geological structure of this time. I therefore invent or re-invent some terms for my purpose: Archae(now)logy; Ruinology; space bankruptcy; theater of life -- theater of cruelty -- theater of spectacle; the body-film; the New Berlin Wall - Iron Curtain; and “refugees without camps”, ‘the plants”, “the ghosts,” the asthenosphere, dark energy... I have stolen a great amount of found footages/ready materials or already existed films. This “stealing” is exactly the way to get connected with history and the history of film, to construct an “echo film”.
Director
This is a film both about the spectacle and the space, about how the spectacle has caused the mutation of the (physical and phycological) space in which we reside. This film is determined to be the ‘film on space’ of our times, an epic theater, the general observation of the geological structure of this time. I therefore invent or re-invent some terms for my purpose: Archae(now)logy; Ruinology; space bankruptcy; theater of life -- theater of cruelty -- theater of spectacle; the body-film; the New Berlin Wall - Iron Curtain; and “refugees without camps”, ‘the plants”, “the ghosts,” the asthenosphere, dark energy... I have stolen a great amount of found footages/ready materials or already existed films. This “stealing” is exactly the way to get connected with history and the history of film, to construct an “echo film”.
Director
This short film is dedicated to those who are dead during the lockdown period in Wuhan in 2020.
Director
This is a complete video that was downloaded from the Internet. I didn't make any changes, just added a title at the beginning and a line of text at the end. The time frame on the video appears to indicate an event in the future, but this is reality, not science fiction.
Director
This short film is dedicated to those who are dead during the lockdown period in Wuhan in 2020.
Eight characters, trapped inside surreal spaces.
Director
A documentary about houses in rural Gansu decorated with portraits of Mao Zedong. More importantly: a documentary about the people who dwell within them.
Editor
One night, two men meet in an abandoned building, and share their memories about early lives in their hometowns. They leave this building and continue to roam in the night, then they find themselves return back to the abandoned building: it looks more unfamiliar now, then it collapse down, then it's gone. They leave this place and pass by more ruins and finally reach to the edge of the city and arrive at a hill which is constructed by piled-up construction waste. On the top of the hill, they see the railway that leads to their hometown.
Cinematography
One night, two men meet in an abandoned building, and share their memories about early lives in their hometowns. They leave this building and continue to roam in the night, then they find themselves return back to the abandoned building: it looks more unfamiliar now, then it collapse down, then it's gone. They leave this place and pass by more ruins and finally reach to the edge of the city and arrive at a hill which is constructed by piled-up construction waste. On the top of the hill, they see the railway that leads to their hometown.
Writer
One night, two men meet in an abandoned building, and share their memories about early lives in their hometowns. They leave this building and continue to roam in the night, then they find themselves return back to the abandoned building: it looks more unfamiliar now, then it collapse down, then it's gone. They leave this place and pass by more ruins and finally reach to the edge of the city and arrive at a hill which is constructed by piled-up construction waste. On the top of the hill, they see the railway that leads to their hometown.
Director
One night, two men meet in an abandoned building, and share their memories about early lives in their hometowns. They leave this building and continue to roam in the night, then they find themselves return back to the abandoned building: it looks more unfamiliar now, then it collapse down, then it's gone. They leave this place and pass by more ruins and finally reach to the edge of the city and arrive at a hill which is constructed by piled-up construction waste. On the top of the hill, they see the railway that leads to their hometown.
Writer
The filmmaker spent years in a Chinese village to record daily life’s every detail. He drank many a glass with the villagers and observed them for so long that he started to recognize their repeating patterns of behavior. That is why there is no end to this tale.
Director
The filmmaker spent years in a Chinese village to record daily life’s every detail. He drank many a glass with the villagers and observed them for so long that he started to recognize their repeating patterns of behavior. That is why there is no end to this tale.
Director
A very special event that took place immediately following the 2009 Yamagata International Documentary Film Festival in Furuyashiki Village. They held a ‘dojo,’ a school where the veteran independent filmmakers from Japan taught the younger generation of independent filmmakers from China and Japan. They watched films, shot and hand-developed Super-8 films. Participants: Azuma Mieko, Cong Feng, Huang Weikai, Ji Dan, Kawabe Ryota, Mao Chenyu, Sato Leo, and others... The participants formed teams. Each received a camera, several rolls of film, and a CD with (mostly urban) sounds to use as a soundtrack. They were to plan and shoot a short film using in-camera editing. (total 4 short films).
A very special event that took place immediately following the 2009 Yamagata International Documentary Film Festival in Furuyashiki Village. They held a ‘dojo,’ a school where the veteran independent filmmakers from Japan taught the younger generation of independent filmmakers from China and Japan. They watched films, shot and hand-developed Super-8 films. Participants: Azuma Mieko, Cong Feng, Huang Weikai, Ji Dan, Kawabe Ryota, Mao Chenyu, Sato Leo, and others... The participants formed teams. Each received a camera, several rolls of film, and a CD with (mostly urban) sounds to use as a soundtrack. They were to plan and shoot a short film using in-camera editing. (total 4 short films).
Director
"Huangyangchuan, Gansu province, China. It's an arid mountain area with poor roads. Ma Bingcheng is well-respected local doctor, so many patients (most of them farmers) come to see him every day. In his small clinic, people chat with each other about their lives, local conditions, or the people they know. The clinic seems to open up like a microcosm, the information and experiences of different people intertwine, revealing the conditions of typical Chinese farmers, and the typical fates of both young and old--"
Director
Huangyangchuan township, Gulang County, Gansu province. In a village, two members of a family died in accidents in a short period. People took it seriously, they decided to rebuild the old temple in the village, hoping it could bless them with peace. In the ceremony after the rebuilding was finished, the figure of Buddha, the picture of Chairman Mao, the Taoist and the country shamen, gathered together…This film documented the details of this ceremony, hoping to reveal the common status of Chinese people’s religion.
Director
I used footage from the internet and a part of historical text, their interconnection and what produced are not "scary", but some coincidences that history provided.
