Production Manager
Gilbert, poet and singer, is about to marry Lilette but deep inside himself he is not quite sure that she is the woman he needs. That is the reason why he has made up an imaginary woman, Frédérica" to whom he writes love letters, actual ones this time. When Lilette finds one of these, she sees red. Théodule, one of Gilbert's many friends, sets out the problem with the help of Claudine, his own girlfriend, posing as Frédérica. After Gilbert and "Frédérica" have played a phony breakup scene in front of Lilette, things seem to come right when... another Frédérica appears...
Colonel Jean-Baptiste Muiron
A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797. Originally intended to be the first of six films, director Abel Gance realized the full project would be nigh impossible, and never raised the money to complete the other five. The film's legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
Assistant Director
A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797. Originally intended to be the first of six films, director Abel Gance realized the full project would be nigh impossible, and never raised the money to complete the other five. The film's legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
