Roger Blum

参加作品

The Love Contract
Writer
A young woman becomes the driver of a wealthy stockbroker who lost her family’s savings.
Chauffeur Antoinette
Writer
The athletic young widow Antoinette Peterson gets into financial troubles when a business venture backfires and has to sell her car and her villa. On the road, she meets a stranger whose car she is able to repair and whom she later meets again as the buyer of her house. It is no one else than the venturer William P. Harrison to whom she lost her whole fortune in the first place. He offers her a bet: If she manages to stay for three months as his chauffeur and behaves accordingly, he would give her back her fortune. Although Harrison makes it as hard as possible for her, she keeps up. But they have already fallen in love with each other.
American Love
L'officier de marine
A young American lady has certain prejudices against the people in France, but comes there to find a lover.She causes nothing but trouble.
The Eagle
Prokesch
An adaptation of the play L'Aiglon by Edmond Rostand, which portrays the life of Napoleon I.
I'll Be Alone After Midnight
Le mari
A woman's marriage is on the rocks ; to avenge herself, she decides to take a lover for one night .So she buys all his stock from a balloon man and flies them through the Parisian sky ; all her balloons carry a message :"I will be alone after midnight" (hence the title); a lot a suitors comme to the rendezvous : a fisherman, a soldier, a traveler , a gentleman cambrioleur (a nod to Arsène Lupin?) and others ,much to Michel, a young man in love with her's displeasure.
Napoleon
François-Joseph Talma
A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797. Originally intended to be the first of six films, director Abel Gance realized the full project would be nigh impossible, and never raised the money to complete the other five. The film's legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.