Misa Yamaguchi
二万年前に人間と妖精の協力によって封じ込めた暴魔百族が、暴魔獣ジャシンボーマと共に蘇った。ジャシンボーマを倒すには、妖精シーロンの命を引き換えにしなくてはならない。ターボレンジャーは力を合わせて戦いに挑む。
Woman on Her Way Home from Shopping
DM発送会社に勤める平凡なサラリーマンの徹。ある日、彼が母親と2人で暮らすマンションに、チャーミングな女性、留美が引っ越してくる。だが、彼女はフリーのスタイリストという職業は世を忍ぶ仮の姿、本業は“ルビイ”を名乗る快盗なのだと徹に打ち明ける。成り行きから彼女の相棒をさせられることになった徹は、強盗や詐欺、果ては銀行強盗の片棒を担がされるのだが、ルビイは本当に快盗なのか計画は失敗ばかりだった。
Lacking a coherent plot, We're All Riding on a Circus Elephant depicts the collapse of western civilization as a free-form collage advocating group anarchy and actor improvisation. The stage is a boxing ring. Those actors who are "onstage" get into the boxing ring and assault each other with words. Others heckle and cheer at the sidelines, or act as a rhythm-and-blues chorus while changing costumes or wigs. Taking as its coda Andy Warhol's dictum that everyone gets fifteen minutes of fame, actor transformations depict the Breakdown of Japanese values and selfhood due to an obsession with popular American culture.
Bar Hostess
A man and a little girl meet in a bicycle parking in Tokyo. The little girl says she wants to watch the sea, and their travel begins. The man does not intend to be a kidnapper – he asks the girl to phone her mother and tell her she's with him. During their trip they meet various people, but they always must continue on, lest the man be arrested.
