Anastasia
A mistake made by the bride rejoins 4 old friends of disaster and a father in law! 5 guys go to Thassaloniki to tear everything down. A father in law gets in a hearse in order to kill a love in the making. An ex-girlfriend dances tango with her memories as a partner. A cancelled wedding and a relationship that starts with the brides vail floating at the wind of independence.
Δανάη
A girl on a cruise with her family, falls in love with the ship's lieutenant and has to make a dramatic decision when they reach Istanbul, in the end. A boy, secretly in love with his best friend, finally manages to express his feelings, through a fake Facebook profile... Until she finds out the truth! And two strangers spent a night together in Thessaloniki, falling in love, but when they part ways, the girl's mobile phone is stolen, along with the boy's number...
Δέσποινα
Sofia and Eleni and Petros and Alexandros and Despina and Daphne. Familiar, people-next-door types with their obsessions, weaknesses, hang-ups. People who make the daily rounds in search of communication. Sofia, fragile and with no defenses, searches for the scent of life. Eleni tries to combine career and child, making the mistakes she blames her mother Despina for making. Alexandros, a full-fledged adolescent strives to be loved. Petros goes after lost relationships. Characters and the absences of characters. Relationships that are articulated and disarticulated. Through tender glances and open wounds. With an invitation open to all as an antidote. One that we have extended dozens of times while we wait and hope. So... let's go for an ouzo.
Melina Mercouri plays Maya, a jet-setting Greek actress who returns to her homeland to undertake the role of Medea. Searching for inspiration and clues as to how a mother could kill the children she loves, Maya discovers Brenda (Ellen Burstyn), a bible-spouting American woman serving time in an Athens prison for that very crime.
At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.
