Prithvi Konanur

参加作品

Seventeeners
Writer
Hari and Deepa enter a classroom on a Saturday evening after the classes are over. The two 17-years-olds appear to make a video as they indulge in intimacy off-screen. Monday morning, the two are summoned to the principal's office and are told that their video is now on the internet. Their parents are called and given the news of rustication, pending committee decision whether to expel or retain them. The two families are devastated by the news, as they try to pick up the pieces and move forward. At the committee meeting, chaired by the principal, they discuss the fate of Hari and Deepa. Owing to past incidents of misdemeanor, the committee, with the exception of physical trainer Abdul, vote to expel Deepa and retain Hari. But Abdul brings up the caste angle to it. While Hari is a Brahmin boy, Deepa is a Dalit and the issue takes a dramatic turn, leading to irreversible changes in the lives of the stake holders.
Seventeeners
Director
Hari and Deepa enter a classroom on a Saturday evening after the classes are over. The two 17-years-olds appear to make a video as they indulge in intimacy off-screen. Monday morning, the two are summoned to the principal's office and are told that their video is now on the internet. Their parents are called and given the news of rustication, pending committee decision whether to expel or retain them. The two families are devastated by the news, as they try to pick up the pieces and move forward. At the committee meeting, chaired by the principal, they discuss the fate of Hari and Deepa. Owing to past incidents of misdemeanor, the committee, with the exception of physical trainer Abdul, vote to expel Deepa and retain Hari. But Abdul brings up the caste angle to it. While Hari is a Brahmin boy, Deepa is a Dalit and the issue takes a dramatic turn, leading to irreversible changes in the lives of the stake holders.
Where is Pinki?
Writer
Bindu and Girish are a seemingly typical middle-class working couple in an urban setup in India with an 8 months old baby girl, Pinki. One day when Bindu returns home very early from office, she discovers to her horror that Pinki is not home and neither is the maid Sannamma who is supposed to be taking care of Pinki. Thus, begins a frantic day of search that takes her to strange places, people, social realities, forcing her to confront her past, present and the future.
Where is Pinki?
Director
Bindu and Girish are a seemingly typical middle-class working couple in an urban setup in India with an 8 months old baby girl, Pinki. One day when Bindu returns home very early from office, she discovers to her horror that Pinki is not home and neither is the maid Sannamma who is supposed to be taking care of Pinki. Thus, begins a frantic day of search that takes her to strange places, people, social realities, forcing her to confront her past, present and the future.
Railway Children
Director
Fiction on children who ran away from who and lives near the railway station.