Editor
"Boy" is growing up, questioning what becoming a man is all about. On the one hand, he can't wait to leave his traumatic childhood behind, and on the other hand, he is growing up in a far off village with no real friends his age.
Editor
Artist Eli Shamir paints the view from his studio balcony - fields stretching to the horizon, ancient oak trees, and a generation of farmers that is disappearing from the vistas of the Jezreel Valley. His large oils are treasured by collectors worldwide. It was director Ben Shani's encounter with one of Shamir's works that spawned the idea of documenting the artist at work. Neither of them had any idea that everything would change as the filming progressed, as an unforeseen danger threatened to rob Shamir of his talent. Filmed over the course of ten years, A lullaby for the Valley focuses on the fascinating figure of Eli Shamir and his paintings. As time passes, like the endless fields of the valley, they are transformed before our very eyes.
Editor
Saar is an HIV positive gay man living in London, where he found refuge from the religious kibbutz where he grew up in Israel. Ever since he was diagnosed with HIV, Saar has craved his family's love, while they struggle with fears and prejudices.
Editor
Bethlehem tells the story of the unlikely bond between Razi, an Israeli secret service officer, and his Palestinian informant Sanfur, the younger brother of a senior Palestinian militant. Razi recruited Sanfur when he was just 15, and developed a very close, almost fatherly relationship to him. Now 17, Sanfur tries to navigate between Razi’s demands and his loyalty to his brother, living a double life and lying to both men. Co-written by director Yuval Adler and Ali Waked—an Arab journalist who spent years in the West Bank—Bethlehem gives an unparalleled, moving and authentic portrait of the complex reality behind the news.
Editor
A group of friends in a Tel Aviv suburb get together to watch Universong, a Eurovision-like television song contest. They gather to watch and are depressed by the lifelessness of the Israeli entry, a parody of many recent offerings, a flashy, grating song about "amour." Realizing that Anat is distraught over the crisis in her marriage, they decide to compose a song to cheer her up. As a lark, they enters their cellphone video of it in next year's contest, and it becomes Israel's entry.
Sima Vaknin is a widow who wants to build a small residantial unit in her backyard but meets a strong resistance from her neighbor Wasserman. Sima angry curses him and curse becomes true. The rumor spread quickly and suddenly mass pilgrims are at Sima's door to receive a blessing or order a curse.