Akiyoshi Imazeki

This short film depicts the sense of closure of Japan due to COVID-19 through the episodes of three groups of people. A man picks up shards of glass night after night on a moonlit beach. A mysterious girl lies on the edge of the waves. A policeman at a police box along the beach. A young mother searches aimlessly for her missing daughter, and a man works with her. A young man in a rabbit suit who keeps distributing leaflets to find his missing girlfriend. What exactly is the "girl" that each of these people is searching for...?

Nao, who disagrees with her boyfriend often and tends to skip class, gets offered by her father, Hirokazu, to join Aya, who is about to be his third wife, on a trip to Taiwan for a week. In contrast to Nao who is reluctant, Aya wants to get to know her future step daughter better. Eating, walking, meetng people. Will this experience change Nao?

Short film by Akiyoshi Imazeki

A MOVIE IN THE 8mm Film. By Akiyoshi Imazeki

A MOVIE IN THE 8mm Film. By Akiyoshi Imazeki

A MOVIE IN THE 8mm Film. By Akiyoshi Imazeki

Laika, a Japanese woman studying in Moscow, moves in with Yulia, an aspiring actress, and they develop an intimate relationship.

20 years ago, Kei, a 23 year-old highschool teacher, fell for a student, Hitoha, a beautiful girl, but lost her from a tragic car accident. He’s now a middle aged factory worker who has just quit the job to visit Klavan in Ukraine. There lies a beautiful railway called Tunnel Of Love, where people say you can meet with your deceased beloved one. A freight transport runs once a day and it is said that the train takes someone you wish to meet.

Based on the actual experience of Michi Inoue, an active female high school student at the time, a movie of the best-selling essay “17 years old” depicting the honest feelings of a high school girl.

Film director Mario Baba meets a mysterious gentleman, and realizes he is a important man from his boyhood. The two chase each other around, causing a lot of commotion.

As Heike Michiyo rises in popularity, a stalker starts harassing her, and when the police can't help, the rest of girls form 'Morning Cop' to stop him.

A youth romance that fantastically depicts the unstable emotions of high school girls who refuse to transform into adults

A youth romance that fantastically depicts the unstable emotions of high school girls who refuse to transform into adults

Miyako Amano, the first president of the ladies "Haruya". Nowadays, she lives her life as the bride of "Matsumidoriyu". She vowed that she would be gracefully out of the office until the day her dad returned with her belly-bearing son Kentaro on the verge of her month, even when her beloved husband disappeared. However, the store was spotted by Sakamaki Kosan, which aims for local redevelopment! She obstructed a lot of business, and even Kentaro was kidnapped and once let go of the store's title, but Miyako finally got rid of the unstoppable harassment! She put an iron pipe in the 750cc and headed for a strange group of employees and a recapture of the title!

Miyako Amano, the first president of the ladies "Haruya". Nowadays, she lives her life as the bride of "Matsumidoriyu". She vowed that she would be gracefully out of the office until the day her dad returned with her belly-bearing son Kentaro on the verge of her month, even when her beloved husband disappeared. However, the store was spotted by Sakamaki Kosan, which aims for local redevelopment! She obstructed a lot of business, and even Kentaro was kidnapped and once let go of the store's title, but Miyako finally got rid of the unstoppable harassment! She put an iron pipe in the 750cc and headed for a strange group of employees and a recapture of the title!

Based on the comic by Eisaku Kubonouchi

Based on the comic by Eisaku Kubonouchi

A horror anthology featuring : The Reaper's Pass by Kazuya Konaka, Spell Dream by Harunobu Ohara & The Wall by Akiyoshi Imazeki.

A horror anthology featuring : The Reaper's Pass by Kazuya Konaka, Spell Dream by Harunobu Ohara & The Wall by Akiyoshi Imazeki.

This 150-minute documentary, directed by Nobuhiko Ôbayashi on the set of Akira Kurosawa's Dreams, features behind-the-scenes footage and interviews with cast and crew.

This 150-minute documentary, directed by Nobuhiko Ôbayashi on the set of Akira Kurosawa's Dreams, features behind-the-scenes footage and interviews with cast and crew.

Romantic Comedy- Two Girls, Three Guys. Some people ride a jet ski, I guess. And there's an AV idol so I'm sure some boobs.

A film by Akiyoshi Imazeki. Emi is a 16-year-old girl who lives in Enoshima. An adolescent movie depicting teenagers' outlook on life, values, and lifestyle.

The struggle of two young people in rehabilitation

A coming-of-age fantasy depicting the interaction between a girl who believes in the existence of kappa and a girl who watch over her.

Horror and Science fiction anthology from Japan

16歳の三田アイコは名古屋市内の県立高校に通う1年生。中学時代に付き合った“あいつ”が気になる毎日だ。夏休み、アイコは弓道部の合宿に参加するが、同じクラスでもある花岡紅子が男子たちにこびを売るのが面白くない。合宿から帰ったアイコは“あいつ”が暴走族に入ったと聞いて少し動揺する。高校の2学期が始まる。ある日、弓道場の清掃をめぐって紅子と衝突してしまったアイコは死にたくなり、手首を切ってしまう。

16歳の三田アイコは名古屋市内の県立高校に通う1年生。中学時代に付き合った“あいつ”が気になる毎日だ。夏休み、アイコは弓道部の合宿に参加するが、同じクラスでもある花岡紅子が男子たちにこびを売るのが面白くない。合宿から帰ったアイコは“あいつ”が暴走族に入ったと聞いて少し動揺する。高校の2学期が始まる。ある日、弓道場の清掃をめぐって紅子と衝突してしまったアイコは死にたくなり、手首を切ってしまう。

With the camera in love between them, the real Mayumi Mitome and the Mayumi in the film are in honest agreement, and there is a freshness to the film that leaves no room for the viewer to question or feel any directorial intent. In the last part of the film, Mayumi arrives at the beach of Enoshima and says, "I'm going to America to swim in this film," and as she changes into a bathing suit and jumps into the sea, she says, "She really went to America. When she changed into her bathing suit and jumped into the sea, the narrator said, "She really went to America, don't you believe me? The film is symbolized by her reply to the camera, "Yes!

With the camera in love between them, the real Mayumi Mitome and the Mayumi in the film are in honest agreement, and there is a freshness to the film that leaves no room for the viewer to question or feel any directorial intent. In the last part of the film, Mayumi arrives at the beach of Enoshima and says, "I'm going to America to swim in this film," and as she changes into a bathing suit and jumps into the sea, she says, "She really went to America. When she changed into her bathing suit and jumped into the sea, the narrator said, "She really went to America, don't you believe me? The film is symbolized by her reply to the camera, "Yes!

With the camera in love between them, the real Mayumi Mitome and the Mayumi in the film are in honest agreement, and there is a freshness to the film that leaves no room for the viewer to question or feel any directorial intent. In the last part of the film, Mayumi arrives at the beach of Enoshima and says, "I'm going to America to swim in this film," and as she changes into a bathing suit and jumps into the sea, she says, "She really went to America. When she changed into her bathing suit and jumped into the sea, the narrator said, "She really went to America, don't you believe me? The film is symbolized by her reply to the camera, "Yes!

With the camera in love between them, the real Mayumi Mitome and the Mayumi in the film are in honest agreement, and there is a freshness to the film that leaves no room for the viewer to question or feel any directorial intent. In the last part of the film, Mayumi arrives at the beach of Enoshima and says, "I'm going to America to swim in this film," and as she changes into a bathing suit and jumps into the sea, she says, "She really went to America. When she changed into her bathing suit and jumped into the sea, the narrator said, "She really went to America, don't you believe me? The film is symbolized by her reply to the camera, "Yes!

大林宣彦演出によるTV番組「いい旅チャレンジ20,000km清水港線・旅の表情』(1980年)に出演した今関あきよしが8mmカメラを手に、撮影現場を活写しました。