Lu's mother
When Luke proposes to Cai and hears a simple word "Sorry," he wakes up finding himself shaking on his bed. Luke tries again but is forced to return to the same morning of his proposal due to the repeated rejection.
Follows two women who re-encounter each other after 30 years apart. Against all odds, they fall in love once again, and despite that youth is no longer on their side, they decide to spend the remaining of their twilight years in each other’s arms, no matter how much that may be.
Aunt Tsai
A karaoke-addicted elderly woman (Chen Shu-Fang) lives her life by the Taiwanese saying, “Guo Mie,” which translates to “as long as you devote your life to the creation of one thing, and do whatever you could, everything will turn out.” But her philosophy is seriously put into question as she struggles to come to terms with the loss of her estranged husband. She attends the funeral only to encounter his younger lover and then finds out that her children might have kept in touch with her late husband secretly behind her back. Director Joseph Chen-Chieh Hsu said that the story is based on his grandmother, who was forced to raise eight kids by herself after her husband ran away. The student short film was shot in his home country of Taiwan. Selected as a 2017 Student Academy Awards Finalist, the short also appeared in the 2018 Asian American International Film Festival. It’s the first time that lead actress Shu-Fang has sung in a film in over 40 years.
Xia
In a village called Tai-gia-ha lived a well-known and romantic fool. People called him "Yao". People in the village worried about him. They worried that who could take care of him forever and whom he got to spend his life with. Even so, he somehow owned lots of stories with someone. In an evening three months ago, Yao got lost because he ran an errand for his dad to buy him tofu pudding for his childhood's sweetheart. For these months without Yao, Xia and Shuei have lived in the contradiction and self-blaming of reuniting each other and losing Yao. In the meantime, Yao met a troupe director named "bearded man". In the end, how did Yao, seemingly growing up in one night after leaving his home, get back to Tai-gia-ha?
Yeh's directorial debut film pays tribute to the golden years of Taiwanese-dialect films in the 1960s.
