Spyros Laskaris

The brief but intense encounter of a Greek police officer and a Syrian refugee changes the way the two see this world.

A universal theme: a story of people trapped in an inhuman network of power. The brutal circle of the Eurogroup meetings, who impose on Greece the dictatorship of austerity, where humanity and compassion are utterly disregarded. A claustrophobic trap with no way out, exerting pressures on the protagonists which finally divide them.

In the summer of 2021, a research group scouting for viable sites for development arrives at Armenaki Island, where people live with their own laws and their own moral values, having found happiness in a completely different way of life.

A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.

Stelios Dimitrakopoulos has 32 hours left before he loses everything. From the jazz bar he painstakingly keeps running for years, to his own family. The Romanian gangster who lent him money, now demands the debt to be paid. The middle-man and former friend, makes Stelios take care of illegal errands. His wife is seriously thinking of abandoning him, and a night club owner, not thinking about the consequences, finally starts to stand up for himself. Christmas is coming, the clock is ticking, and the tree in Stelios' house must be decorated.

Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in. The vigilante movie is a well-explored genre too, but Tsemberopoulos gives it a whole new urgency, subverting the cliched right-wing fantasy structure and seeing it through the eyes of a man who comes to find his real self while trying to live up to the (imagined) expectations of others. (Source: LFF programme)

Sotiris is a police investigator in Athens who lives by a strict moral code. An honest man, he carries himself as though held down by the weight of the world. Dora is a cleaning lady, struggling to get by any way she can. Dealt a rough hand in life, she has developed a rich layer of cynicism and mistrust that informs her every action. When a man Sotiris believes is innocent is arrested for a brutal crime, his attempt to uncover the truth results in a grave mistake. Finding himself on the other side of the law for the first time, he places his fate in Dora, the only witness to his malfeasance and the only person who can help him, for better or for worse.

The trainee Orthopedic Doctor George Spyrou began his career in the fictional General Orthopedic Hospital "All Saints', somewhere on the outskirts of Athens. There you will discover that the hospital population, by physicians, administrators and nurses, to patients, they are all forced to confront dancing a grotesque dance routine. With humor and humanity within a social landscape so angry George Spyratos trying to balance between the warring parties these microcosms. The gradual evolution from inexperienced trainee to experienced editor will be done through the encounter with the absurd environment. Something that would transform from naive young man who initially stands speechless in front of modern Greek chaos, a mature man who will ultimately make a thoughtful account of choice, but persevere, continue to work on public health.

Theophilus Palios, owns a small traditional publishing house. He man madly falls in love with Sia, that is doing vocals on the show of a known singer. Sia maintains her living by the "generosity" of old fans. In the face of Theophilus, Sia will experience true love, though it continues to accept the offers of numerous admirers. Theophilus mad by jealousy, is lead to huge wastages and ultimately to economic collapse. He ends up entangled in a case of robbery and murder. Sia, in a guilt and self-sacrifice crisis, becomes mistress of the investigating policeman in exchange for his silence. This creates an odd triangle ..