Roberta Allegrini

参加作品

Caina
Cinematography
The eponymous protagonist of the film is a former assassin. She is a xenophobic and violent person, her life has always been filled with hate towards those who don’t share the same physical or cultural features; chiefly immigrants and muslims. Her job during the summer is to guard the beach and pick up the corpses of illegal immigrants who have drowned off-shore in their desperate attempt to reach the coast earning petty cash for each body. It’s a lucrative business so she has to face the competition of many illegal corpse-collectors. Nahiri, a Tunisian man, is one of them. He works with a group of illegal immigrants, who snatches the corpses from Caina and sells them in the black market. In order to increase their profit, it is not rare that they drown those who survived but are too weak to fight for their lives. It’s a ruthless business in which, sometimes, the opposites attract.
I Remember Piazza Fontana
Director of Photography
A documentary-fiction that reconstructs the complex procedural path followed by the 1969 massacre through the point of view of Francesca Dendena, daughter of one of the victims and President of the Family Association of the victims of the Piazza Fontana massacre.
Herod the Great: The Child Murderer of Bethlehem
Cinematography
An account of the reign of Herod the Great, king of Judea under the rule of the Roman Empire, remembered for having ordered, according to the Gospel of Matthew, the murder of all male infants born in Bethlehem at the time of the birth of Jesus, an unproven event that is not mentioned by Titus Flavius Josephus, the main historian of that period.
The Jewish-Roman Wars
Cinematography
In the first century, after the death of Herod the Great, Judea goes through a long period of turbulence due to the actions of the corrupt Roman governors and the internal struggles, both religious and political, between Jewish factions, events that soon lead to the uprising of the population and a cruel war that lasts several years and causes thousands of deaths, a catastrophe described in detail by the Romanized Jewish historian Titus Flavius Josephus.
My Name Is Thomas
Director of Photography
The story of a man who sets out on his motorcycle from Italy on a trip to the Spanish desert to find himself there. But the encounter with the young Maryam changes the plans of the adventure sustainable.
Pertini: Il combattente
Director of Photography
Venti anni
Cinematography
Love in the Medina
Director of Photography
In the Medina of Casablanca, Thami, a young man from a conservative family with a lineage of honourable Koranic lawyers, incenses his father as he decides to enter the profession of butchery. Whilst handling the meats, he soon discovers another taboo passion: women and love. “Love in the Medina” is about a journey of initiation, a quest for freedom and Thami’s revolution of romance in ever-changing Morocco.
The Purple Sea
Cinematography
Nothing - not her father, not the church - can stop unruly Angela from being with her childhood best friend turned great love, Sara. Based on a true story, Viola di Mare, presents a uniquely engaging portrait of family, community and gender roles in a 19th century Italian village.
Unfiltered Southerners
Camera Operator
A Donatello award nominated short film about two brothers travelling with their elderly father to a wedding. En route, old grudges rear their ugly head and neither realises just how poorly their father has become.
Cari fottutissimi amici
Assistant Camera
In 1944 in Tuscany, a group of boxers facing the disasters of the Second World War, during the intrusive presence of the Germans and the Americans, organizes rigged matches to make some money and travel from town to town, hoping to participate in local fairs. A young black American soldier, believed missing, and a girl who refused to marry accompany the ramshackle group.
Il bambino e il poliziotto
First Assistant Camera
Carlo, a police officer, after intercepting a call conducts a drug bust at a private party at the upper class apartment of Rosanna Clerici and she is arrested. Just as the police and party guests are leaving, Giulio, Rosanna's six-year-old son, comes out of his room and asks Carlo where his mother is. Seeing that Carlo is the person responsible for his mother's arrest, Giulio tags along with him until his mother is freed. Carlo does everything possible to have Social Services or somebody look after the kid but is told by the Courts that he is the best candidate for his custody until a better one is found. Even though Giulio manages to turn Carlo's life inside out he ends up getting to like the kid and falling for the kid's mother, Rosanna, while she is in prison. It ends with Rosanna being released from prison and the three of them going out for dinner.
Palombella Rossa
Second Assistant Camera
Michele is a Communist MP who loses his memory in a car crash—although nobody seems to notice it. During a water polo match ahead of election day, he starts to remember his past life, revealing the picture of a man whose personal and political identity crisis mirrors the one of Italian communism.
Francesco
Assistant Camera
The life of St. Francis of Assisi (1181-1226) as related by followers who gather after his death to tell stories so that Leone can record them: a privileged and virile youth, a prisoner of war, an heir who turns away from his father and gives all to the poor, a beggar for others, and an inspiration to friends who accept the Gospels' life of poverty.