Dayse Barreto

Dayse Barreto

出生 : , Fortaleza, Ceará, Brazil

略歴

Dayse Barreto is a production designer, assistant art director and researcher from the city of Fortaleza, currently living in São Paulo. She acquired a degree in Cinema and New Media in 2012 from the University of Fortaleza. Dayse has taken part in the creative processes of Escola Pública de Audiovisual Vila das Artes. She has also worked at the Museum of Image and Sound of the state of Ceará, managing their collection with roles in preservation, diffusion, and research of the cinematic memory of the state of Ceará. In films, Dayse has signed as a production designer for the features “The Yellow Night” by Ramon Porto Mota; “Cabeça de Nêgo” by Déo Cardoso; and “Com os Punhos Cerrados” by Ricardo Pretti, Luiz Pretti, Guto Parente, and Pedro Diógenes. She has also worked as a production designer for two featured projects in the 32nd and 33rd Bienal de São Paulo: “Os Humores Artificiais” by Gabriel Abrantes; and “O Ensaio” by Copenhagen-based artist Tamar Guimarães. Dayse has worked in television as a production designer for the teen comedy “Lana&Carol”, by Natália Maia, Samuel Brasileiro, Luciana Vieira, and Michelline Helena; and for the television film “O Natal de Rita” by Ricardo Alves Jr. Dayse has worked in the art department of several other feature films such as “Praia do Futuro” by Karim Aïnouz; “A Torre” by Sérgio Borges; “A Sombra do Pai” and “O Animal Cordial”, both by Gabriela Amaral Almeida; and “Elon Não Acredita na Morte” by Ricardo Alves Jr. Dayse has further worked as an assistant art director in the television series “Aruanas” (a Globo Filmes and Maria Farinha coproduction) and “Exterminadores do Além” (a Warner Channel and Clube Filmes coproduction), now in its final production stages.

プロフィール写真

Dayse Barreto

参加作品

The Intrusion
Costume Designer
The name of Brazil’s biggest airport, Guarulhos, references the fact that it was built on indigenous territory. In a blend of realistic and stylised scenes, the film follows a member of the ground staff as she seeks her roots beneath the runway.
The Intrusion
Production Design
The name of Brazil’s biggest airport, Guarulhos, references the fact that it was built on indigenous territory. In a blend of realistic and stylised scenes, the film follows a member of the ground staff as she seeks her roots beneath the runway.
Alice no Mundo da Internet
Art Direction
After a problem with her computer, a tween YouTuber gets stuck in a digital world inhabited by quirky characters, including the evil Queen of Bots.
Wild Beast
Production Director
Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.
Wild Beast
Costumer
Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.
Wild Beast
Scenario Writer
Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.
Wild Beast
Sound Editor
Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.
Wild Beast
Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.
Wild Beast
Effects Supervisor
Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.
Wild Beast
Sound Recordist
Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.
Wild Beast
Sound Mixer
Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.
Wild Beast
Editor
Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.
Wild Beast
Production Executive
Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.
Wild Beast
Art Direction
Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.
Wild Beast
Writer
Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.
Wild Beast
Director
Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.
Cabeça de Nêgo
Art Direction
Leader of the student union, Saulo is the target of racist curses inside the classroom. When he retaliates, he is called to the principal's office, but refuses to suffer the consequences of the attack alone, since the aggressor is not responsible for his speech. Inspired by readings about the Black Panthers, the boy decides to stay in school until justice is done. Meanwhile, he exposes the neglect of the establishment's structure with his cell phone. Gradually, colleagues, teachers, directors and even politicians get involved in the conflict that is highlighted in the media.
Lunch Break
Production Design
1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.
The Yellow Night
Art Direction
A group of friends travels to a beach house on an island on the brazilian seaside to celebrate the end of high school, a place virtually no one else inhabits and which is almost always dark. However, their drollery and parties are cut short by the feeling that the place shelters an unfathomable horror.
The Grey House and the Green Mountains
Art Direction
A close look at nature.
The Party and the Barking
Art Direction
In Fortaleza, Brazil, loving, drinking and singing. The return home, braving stray dogs. And taking photos, up to the moment the plastic camera bought in 2013 gives up the ghost.