Robin Campillo
出生 : 1962-08-16, Mohammedia, Morocco
略歴
Robin Campillo (born 16 August 1962) is a Moroccan-born French screenwriter, editor and film director. He is known for his work on films such as The Class (2008), Heading South (2005), the French zombie film They Came Back (2004), Eastern Boys (2013), and Time Out (2001), the latter of which was placed at ninety-nine on Slant Magazine's best films of the 2000s, number nine of The Guardian's Best Films of the noughties, and number eleven at The A.V. Club's top fifty films of the 2000s. In 2017, he released 120 BPM (Beats per Minute) which received mass acclaim and went on to garner many awards, including the Grand Prix and 2017 César Award for Best Film.
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Screenplay
Madagascar, at the turn of the 1960s and 1970s. On an air base of the French army, the soldiers live the last carefree years of colonialism. Influenced by his readings of Fantômette, Thomas, a child who is not yet 10 years old, gradually forges a look at the world around him.
Director
Madagascar, at the turn of the 1960s and 1970s. On an air base of the French army, the soldiers live the last carefree years of colonialism. Influenced by his readings of Fantômette, Thomas, a child who is not yet 10 years old, gradually forges a look at the world around him.
Co-Writer
1916. Julien Delaunay is reported missing in action during the Great War. His wife, Julie, refuses to believe he is dead. 1919. When a photo of an amnesic drifter appears in the press, Julie immediately recognizes him as her beloved husband. They are reunited and, little by little, she helps him to fall in love with her again. Until another woman claims to be the man’s real wife…
Co-Writer
Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.
Himself
Zaps, sit-ins, die-ins, flyers, parades: in the early 90s, to fight against the general indifference to the AIDS epidemic, the Act Up movement invented a new language, a new style of activism, spectacular and provocative, which still inspires new generations of activists. This is what this documentary aims to show, by going back into the genesis and making of BPM (Beats per Minute), the 2017 Cannes Film Festival's grand prize winner, six times winner of the Cesar award. The film also shows how BPM (Beats per Minute) intertwines autobiographical memories and romantic lyricism, as close as possible to historical reality, and how Act Up was for Robin Campillo the founding personal experience that made him a filmmaker.
Screenplay
Antoine has agreed to follow a writing workshop where some young people in insertion must write a black novel with the help of Olivia, a recognized novelist. The work of writing will bring to life the working-class past of the city. Its shipyard is closed for 25 years, a nostalgia that does not interest Antoine, influenced by the anxiety of the present world
Screenplay
Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.
Director
Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.
Screenplay
In 1930s France, two sisters who are thought to be able to communicate with ghosts meet a visionary producer while performing in Paris.
Editor
They come from all over Eastern Europe: Russia, Romania, Chechnya. They are Eastern boys. The oldest appear no more than 25; as for the youngest, there is no way of telling their age. They hang around the Gare du Nord train station in Paris. They might be prostitutes, but there is no way of knowing for certain. Muller, a discreet man in his late fifties has his eye on one of them - Marek. One afternoon, Muller gathers his courage and speaks to him. The young man agrees to come visit Muller the following day, at his place. However the next day, when the doorbell rings, Muller doesn't have the faintest idea that he has fallen into a trap.
Screenplay
They come from all over Eastern Europe: Russia, Romania, Chechnya. They are Eastern boys. The oldest appear no more than 25; as for the youngest, there is no way of telling their age. They hang around the Gare du Nord train station in Paris. They might be prostitutes, but there is no way of knowing for certain. Muller, a discreet man in his late fifties has his eye on one of them - Marek. One afternoon, Muller gathers his courage and speaks to him. The young man agrees to come visit Muller the following day, at his place. However the next day, when the doorbell rings, Muller doesn't have the faintest idea that he has fallen into a trap.
Director
They come from all over Eastern Europe: Russia, Romania, Chechnya. They are Eastern boys. The oldest appear no more than 25; as for the youngest, there is no way of telling their age. They hang around the Gare du Nord train station in Paris. They might be prostitutes, but there is no way of knowing for certain. Muller, a discreet man in his late fifties has his eye on one of them - Marek. One afternoon, Muller gathers his courage and speaks to him. The young man agrees to come visit Muller the following day, at his place. However the next day, when the doorbell rings, Muller doesn't have the faintest idea that he has fallen into a trap.
Editor
Set in the 1950s, a a group of young girls in upstate New York form their own gang.
Editor
Teacher and novelist François Bégaudeau plays a version of himself as he negotiates a year with his racially mixed students from a tough Parisian neighborhood.
Screenplay
Teacher and novelist François Bégaudeau plays a version of himself as he negotiates a year with his racially mixed students from a tough Parisian neighborhood.
Editor
A story of three female tourists who visit Haiti, in order to enjoy the sexual nature of the young men.
Screenplay
A story of three female tourists who visit Haiti, in order to enjoy the sexual nature of the young men.
Writer
The lives of the residents of a small French town are changed when thousands of the recently dead inexplicably come back to life and try to integrate themselves into society that has changed for them.
Director
The lives of the residents of a small French town are changed when thousands of the recently dead inexplicably come back to life and try to integrate themselves into society that has changed for them.
Editor
Isabelle, a beautiful nursing student, is starting her internship at a prestigious hospital. She meets Dr. Philip there, feels atracted to him from the beggining and starts suffering from strange fainting; so he calls her Bambi: her legs don't support her. Patients mysteriously start to dissappear from their rooms; so Bambi and Dr. Philip start a cat vs. mouse paranoid game, in order to catch the probable killer.
Editor
An unemployed man finds his life sinking more and more into trouble as he hides his situation from his family and friends.
Writer
An unemployed man finds his life sinking more and more into trouble as he hides his situation from his family and friends.
Editor
Set in Limoges, the movie tells the story of "good son" Franck (Jalil Lespert), who returns to his hometown to do a trainee managerial internship in the Human Resources department of the factory where his anxious, taciturn father has worked for 23 years.
