Martin Hennel

Housing prices are skyrocketing in cities around the world. Incomes are not. PUSH sheds light on a new kind of faceless landlord, our increasingly unliveable cities and an escalating crisis that has an effect on us all. This is not gentrification, it’s a different kind of monster.The film follows Leilani Farha, the UN Special Rapporteur on Adequate Housing, as she’s travelling the globe, trying to understand who’s being pushed out of the city and why. “I believe there’s a huge difference between housing as a commodity and gold as a commodity. Gold is not a human right, housing is,” says Leilani.

A thriller documentary where the director seek answers on why her brother was shot by the Swedish serial killer Peter Mangs.

In this intimate portrait, we follow Rena as she makes the transition from youth into adulthood. A journey fraught with limitations and prejudice. She is blind, but her biggest dream is not to be able to see - it is to be seen for who she is.

In this intimate portrait, we follow Rena as she makes the transition from youth into adulthood. A journey fraught with limitations and prejudice. She is blind, but her biggest dream is not to be able to see - it is to be seen for who she is.

Mary Reklev (84) is Norway’s first female private detective. With over 40 years of experience, she solved more than 1000 cases. The people that came to her for help all had something in common – a fear of being deceived. But what they did not know was that Mary shared the same fear. The man who taught her everything about detective work, with whom she shared both an office and a home, betrayed her. In “the Shadow” Mary attempts to solve her last case: herself.

A young Eastern European immigrant working in Sweden is faced with a painful choice when she's laid off from her factory in the name of "efficiencies."

About a son who, in his father’s folder of negatives, finds love, despair and reconciliation with a painful memory. The father’s suicide and the great emptiness that followed. A journey among the 3000 negatives that the father left behind him. He was a very good photographer. Among the negatives Eric finds a self portrait, a picture of the other dad. A man that looks afraid. A man that barely dares to look into the camera. What was it he was was afraid of?