Fronza Woods

Fronza Woods

略歴

Fronza Woods was born, raised and educated in Detroit, spent most of her active professional years in Manhattan and is maturing, as creatively as possible, in the southwest of France. A writer-filmmaker in her own right, she has worked as camerawoman on numerous independent films, was assistant sound engineer on John Sayles' feature "The Brother from Another Planet", been a script reader for HBO, and taught basic filmmaking at the University of Wisconsin, Milwaukee, where she also created and curated an outreach film program for the city’s Black community.

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Fronza Woods

参加作品

Fannie's Film
Fannie's Film
(voice)
A 65-year-old cleaning woman for a professional dancers' exercise studio performs her job while telling us in voiceover about her life, hopes, goals, and feelings. A challenge to mainstream media's ongoing stereotypes of women of color who earn their living as domestic workers, this seemingly simple documentary achieves a quiet revolution: the expressive portrait of a fully realized individual.
Fannie's Film
Fannie's Film
Camera Operator
A 65-year-old cleaning woman for a professional dancers' exercise studio performs her job while telling us in voiceover about her life, hopes, goals, and feelings. A challenge to mainstream media's ongoing stereotypes of women of color who earn their living as domestic workers, this seemingly simple documentary achieves a quiet revolution: the expressive portrait of a fully realized individual.
Fannie's Film
Fannie's Film
Editor
A 65-year-old cleaning woman for a professional dancers' exercise studio performs her job while telling us in voiceover about her life, hopes, goals, and feelings. A challenge to mainstream media's ongoing stereotypes of women of color who earn their living as domestic workers, this seemingly simple documentary achieves a quiet revolution: the expressive portrait of a fully realized individual.
Fannie's Film
Fannie's Film
Director
A 65-year-old cleaning woman for a professional dancers' exercise studio performs her job while telling us in voiceover about her life, hopes, goals, and feelings. A challenge to mainstream media's ongoing stereotypes of women of color who earn their living as domestic workers, this seemingly simple documentary achieves a quiet revolution: the expressive portrait of a fully realized individual.
Killing Time
Killing Time
Screenplay
An offbeat, wryly humorous look at the dilemma of a would-be suicide unable to find the right outfit to die in, examines the personal habits, socialization, and complexities of life that keep us going.
Killing Time
Killing Time
(as Sage Brush)
An offbeat, wryly humorous look at the dilemma of a would-be suicide unable to find the right outfit to die in, examines the personal habits, socialization, and complexities of life that keep us going.
Killing Time
Killing Time
Director
An offbeat, wryly humorous look at the dilemma of a would-be suicide unable to find the right outfit to die in, examines the personal habits, socialization, and complexities of life that keep us going.