Casting
ギリシャで休暇を過ごしていたアメリカ人観光客のベケット（ジョン・デビッド・ワシントン）は、大事故を起こして追われる身となる。命からがらアテネのアメリカ大使館に逃げ込み、汚名をそそごうと必死になっていたが、当局の追跡が迫るにつれて緊張が高まるだけでなく、政情不安さえも高まっていく。同時にベケットは危険な陰謀の網にさらに深く関わっていくことになる。
Casting Director
As an unpredictable, sweeping pandemic causes people to develop sudden amnesia, a man finds himself enrolled in a recovery program designed to help him build a new life. His treatment: performing daily tasks prescribed by his doctors on cassette tape, and capturing those with a Polaroid camera.
Writer
As an unpredictable, sweeping pandemic causes people to develop sudden amnesia, a man finds himself enrolled in a recovery program designed to help him build a new life. His treatment: performing daily tasks prescribed by his doctors on cassette tape, and capturing those with a Polaroid camera.
Casting
When a young girl's father suddenly disappears, her weirdo neighbor - an eccentric supermarket cashier - is forced to take care of her.
Casting
Three tortured souls in an underground parking lot; a little girl arrives; a crime is committed and tension keeps rising in this claustrophobic psychological thriller.
Casting
Young love blossoms amongst a group of Athenian teenagers during a boisterous summertime idyll, in the raw, romantic and anarchic feature debut from Greek New Wave director Sofia Exarchou. One of the most eagerly awaited films to come out of Greece in recent years, Sofia Exarchou's feature debut is a coming-of-age story that presents a summertime idyll from the perspective of Athenian youths. It allows us to see the fragility they try to conceal, and at the same time shows them to be unwaveringly resilient despite the socio-economic troubles that affect their destinies.
Casting
A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.
Casting
Eleni asks for a fig on her deathbed. Her husband Kostas goes to the nearest fig tree to get one. Time is running out and Kostas is old. With a fig in his hand, he struggles through a rugged natural landscape to get home in time and fulfil his wife's last wish.
The Friend
After losing his job delivering honey, a car-dweller abandons his vehicle and joins a biker gang.
