Sharon Alexander

Israel 1948. A house by the sea in Jaffa, from which Palestinian families have had to flee in haste, becomes the home of Jewish survivors who managed to escape the inferno in Europe. Out of the turmoil of their existence, under the shadow of the unresolved conflict between Jews and Arabs, rises a desperate cry for.

A drama centered on an orphaned Palestinian girl growing up in the wake of the first Arab-Israeli war who finds herself drawn into the conflict.

Autumn 1996. Avner, a highly-regarded Professor of Arts and his young wife, Ilana, come to visit the family farm run by Rachel and Shouki, (his children from a first marriage) and Menahem (the brother of his deceased first wife). Avner is in pain and needs a doctor. Rachel calls up Joel a physician and a friend of the family. Joel and Ilana are having a secret relationship that began during a previous visit to the farm. Menahem is in love with Ilana and Rachel with Joel. They are unaware of the love affair between Ilana and Joel. Avner came this time to the farm with a proposition to sell the farm. This brings all the latent conflicts in the family to break loose. The movie, inspired by Tchekovs "Oncle Vania", is above all an Israeli story. It depicts the weariness, the frustrations and pain of large segments of Israeli society, their love to the land and to one another, their dreams and their hope.

ミュンヘン・オリンピックの最中、イスラエル選手団が何者かに襲われた。イスラエル側はテロリストの犯行とみなし、復讐を計画する。暗殺チームのリーダーに任命されたアヴナーは、11人の標的を次々に消していくが……。＜スティーヴン・スピルバーグ監督が、1972年のミュンヘン・オリンピックで実際に起きた事件の真相を、事件に関わった人々のコメントや、史実に基づいて映画化した衝撃の問題作。主演にエリック・バナやダニエル・クレイグら実力派俳優が名を連ねるほか、製作陣にはピューリツァー賞やオスカー受賞者などが顔を揃え、作品の質を高めている。国家への忠誠心や家族への愛を描きつつ、世界平和の真意を問うストーリー展開が見事。＞

Daphne's life is peaceful. She has solid marriage with a successful lawyer, two charming children and a nice local bookshop. Recently her father passed away and left her a good deal of money, but besides that it's the same old routine. This routine is about to abruptly change when Daphne befriends with Ami...

An estranged couple receives an unexpected visitor who throws everything in their family off balance.

From 1977 to his untimely death in 1993, Amos Guttman directed six films, all of them deeply personal reflections of his own life. Interviews with lovers, family and friends--including some of the most important people in Israeli cinema--tell the gripping story of a strikingly handsome, charismatic and deeply passionate gay man who has become a revered cult figure in Israeli cinema.Interviews with the late filmmaker and fascinating footage of him on the set convey the same passion that comes through in scenes from his films, lovingly selected by documentarian Ran Kotzer. Like Fellini, Guttman transformed his dreams and everyday conversations with friends and family into integral parts of his pictures. He is most remarkable for his striking and original use of the frame. Every shot is a treasure. Amos Guttman dared to portray subjects that were taboo in his society, and his search for the right of individual expression is the connecting link of his works.

Directed by Arnon Zadok.

A drama about two families, each with a gay son. Jonathan is splitting from Miki because the more experienced Miki is playing around. Then Jonathan sees Thomas, the son and grandson of his neighbors, who is back in Israel after failing to make it as a musician in New York: Thomas is ill, detached, in search of hard drugs. Jonathan tries to connect with him. Meanwhile, Thomas's grandmother, facing old age, has become bitter, particularly toward her hard-working daughter. They worry about Thomas. A few blocks away, Jonathan's mother, brother and sister maintain their sometimes bickering relationships, watching Jonathan brave adulthood.

Three stories about three women: one is trying to find the right guy; one is trying to get a divorce from her runaway husband so she takes hostages; one turns Tel Aviv upside down in order to save a kitten trapped in a storm drain.

The film takes place in Tel Aviv, much of it in a fictitious local pub called Barbie, a satirical nickname for a famous Israeli mental health institution. The pub's name hints at the characters and the events which occur in the pub and which befall its owner (Daliah), the employees and customers. The plot unfolds with a streak of violence which takes a surprising turn.

An Israeli soldier is taken hostage by a small PLO squad in Lebanon. The soldier planned to go on vacation and to fly to the world final soccer cup, he and his capturers share the love to soccer and toward the (not so happy) end a relationship is made.

After being called for his mandatory yearly Israeli army reserve duty, Arik Schwartzman finds himself looking for a uniform wearing serial rapist. He is aided by Natalie, a young female soldier who looks for her lost father.

A few Palestinian guerilla's break into an Israeli camp in the occupied territories. They kill a few Israeli soldiers before they are killed, apart from one who dies in the camp after being captured alive. The Israeli military dispatch an investigator to the camp to see if there was cold blooded murder (people at the camp had claimed he was shot while trying to escape). It turns out that the investigator dispatched is a friend of the camp commander - the rest of the plot is basically about the position of both of these characters as regards being honest or faithful to ones friends. There is unbearable tension, increased by the fact that they are both very strongly attracted to one of the female soldiers on the camp.

A coming-of-age story combined with a love interest between a boy and girl from different social stratum told during the years of teenage turmoil after high school the barriers of upbringing and taboos disintegrate. Each finds true love just before the party breaks up and will eventually learn to resolve the inner conflicts of values, proportion, and priorities.