Liz Hannah

The story of photographer Elizabeth 'Lee' Miller, a fashion model who became an acclaimed war correspondent for Vogue magazine during World War II.

The story of photographer Elizabeth 'Lee' Miller, a fashion model who became an acclaimed war correspondent for Vogue magazine during World War II.

心にそれぞれ痛みを抱える2人の高校生が、インディアナ州の名所をめぐる学校の課題に取り組む中で、癒やしに満ちた時間をともに過ごし、深いきずなで結ばれていく。

心にそれぞれ痛みを抱える2人の高校生が、インディアナ州の名所をめぐる学校の課題に取り組む中で、癒やしに満ちた時間をともに過ごし、深いきずなで結ばれていく。

Journalist Fred Flarsky reunites with his childhood crush, Charlotte Field, now one of the most influential women in the world. As she prepares to make a run for the Presidency, Charlotte hires Fred as her speechwriter — much to the dismay of her trusted advisers.

Ava enters the Brooklyn loft for the first time. It's empty. Painted fresh, but old. The sunlight enters from the large windows, on the wooden floor, worn and with the signs of the previous inhabitants. Ava sits down. And it's immediately home. Her house. It is here that he will meet a boy and fall in love. It is here that they will drink wine together at a party. It is here that they will scream at each other and decide that it is over. The apartment will become a witness to the personal story of Ava, joy and sadness, hopes and disappointments, that universal space in which we all find ourselves becoming adults.

Ava enters the Brooklyn loft for the first time. It's empty. Painted fresh, but old. The sunlight enters from the large windows, on the wooden floor, worn and with the signs of the previous inhabitants. Ava sits down. And it's immediately home. Her house. It is here that he will meet a boy and fall in love. It is here that they will drink wine together at a party. It is here that they will scream at each other and decide that it is over. The apartment will become a witness to the personal story of Ava, joy and sadness, hopes and disappointments, that universal space in which we all find ourselves becoming adults.

ベトナム戦争が泥沼化し、アメリカ国民の間に戦争に対する疑問や反戦の気運が高まっていた1971年、ニューヨーク・タイムズがベトナム戦争を分析・記録した国防総省の最高機密文書＝「ペンタゴン・ペーパーズ」の存在をスクープする。ワシントン・ポストの発行人キャサリン・グラハムと部下で編集主幹のベン・ブラッドリーは、ニューヨーク・タイムズと時に争いながらも連携し、報道の自由を統制し、記事を差し止めようとする政府と闘うのだった。

ベトナム戦争が泥沼化し、アメリカ国民の間に戦争に対する疑問や反戦の気運が高まっていた1971年、ニューヨーク・タイムズがベトナム戦争を分析・記録した国防総省の最高機密文書＝「ペンタゴン・ペーパーズ」の存在をスクープする。ワシントン・ポストの発行人キャサリン・グラハムと部下で編集主幹のベン・ブラッドリーは、ニューヨーク・タイムズと時に争いながらも連携し、報道の自由を統制し、記事を差し止めようとする政府と闘うのだった。