Eytan İpeker
略歴
Eytan Ipeker is a Turkish director, screenwriter, and producer born in Istanbul. When he was two years old, his family moved to Israel, and when Eytan turned six, they decided to return to Turkey. Ipeker is a member of Istanbul’s Jewish community. He studied filmmaking in Boston and New York. The Pageant is his debut feature film. This is what Eytan says about his directorial work: “In a world where communication and honesty is so rare, filmmaking is my only way to breathe. I will continue making films no matter what it takes because I have to.”
Editor
Emre, a young and dedicated prosecutor, is newly appointed to a small town hit by a water crisis and political scandals. After an initial welcome, he experiences an increasing number of tense interactions and is reluctantly dragged into local politics. When Emre forms a bond with the owner of the local newspaper pressure escalates under heated rumours.
Editor
The same route after three and a half centuries... A creative documentary following the footsteps of the Ottoman-Armenian intellectual and traveler Eremya Celebi Komurciyan into the cosmopolitan Istanbul of the 17th century. Long before the invention of cinema, Komurciyan situates himself as a subject who observes the city of Istanbul as if he had a camera in hand. Borrowing Komurciyan’s timeless cine-eye, we delve into contemporary Istanbul to capture what is “inaccessible to the human eye” through the remnants of his route.
Director
Every year since 2011, a unique beauty contest has been taking place in Haifa. The contestants are female survivors of the Holocaust. In the midst of this flashy spectacle, their personal traumas remain as deep as ever. There are many things about this contest that are controversial: it is organized by the right Zionist organization, the International Christian Embassy Jerusalem, and the dubious contest itself rises the public indignation of various speakers, including other survivors.
Editor
At the beginning of the 1960s, İlhan and Güngör Mimaroğlu moved from İstanbul to New York to start a new life. With a keen interest in avant-garde music, İlhan Mimaroğlu went on to become a leading composer of the nascent field of electronic music with his work at Columbia University, while Güngör Mimaroğlu would show an exemplary political stance at the forefront of the peace protests that took the 1960s by storm. "Mimaroğlu" is the story of a unique pair of spirits that have complemented each other in many ways.
Editor
A new production center, maybe set in an undetermined future. What is being produced here? We shall find out by following the given traces. Two pairs of hands trying to untangle themselves. A human sheep virtually cut into pieces. A warm welcome to the authors and actors of their lives. Stories being told, their narrators dissected. When the gates open, those leaving Labour Power Plant have been made fit for the demands of the labour market. The next production cycle begins… People with their own wills, interests, and desires are being equipped with the different physiological, cognitive, psychological, and social core competencies to transform them into human resources. Meanwhile, the management is introducing new methods to enrich the products with the innovative features of ‘self-evaluation’, ‘self-optimisation’, and, most importantly, ‘self-fulfilment’. A series of interventions are performed, leading to an assembly that may appear strange at first sight.
Writer
It's a quiet morning and a middle-aged woman is lying on the bed, watching her sleeping husband's back.
Director
It's a quiet morning and a middle-aged woman is lying on the bed, watching her sleeping husband's back.
Director
When Idil was seven, the Turkish congress passed a special law which allowed her to study in Paris. Away from her friends, in an alien city, she was now working under strict supervision, while dreaming of running away.
Editor
Saroyanland is a docu-drama focusing on the journey of famous writer William Saroyan to the birthplace of his Armenian family Bitlis, in Turkey in 1964. While retaking the same road, the film aims to understand Saroyan's unique attitude to belonging, witnessing the self-discovery of a man who followed the traces of his Armenian ancestors.
Assistant Director
A girl walks into an antique shop to give away a teddy bear...
Editor
Istanbul, today. The city has become one big machine that pulls people apart. Through the streets of the city echo the voices of young male and female workers. The harsh reality of an uncertain economic phase is felt in each segment of what is left of the Turkish society class structure. A Kurdish girl stands up against her family rules and tradition. The last young member of a diminished clan remembers the past ruefully. A child worker is forced to support his family since he is the only one who earns some money. A young unemployed male sells himself to tourists in front of the Blue Mosque. His body is the last working tool he is left with. Torn between the West and the East, Istanbul becomes the city symbol of a world that can neither go back nor (yet…) step forward.
Director
A silent abstract video inspired by the music of Jean Sibelius and the the mythical implications of The Nile River.
