Ahti Sonninen

Wintery forest and stubborn 16 year old girl dazzle the teacher from Helsinki.

The title of the Finnish film Elokuu translates to August. Directed by Matti Kassila, one of Finland's premiere filmmakers, Elokuu was adapted from a novel by Nobel prize winning finnish author F.E. Sillanpää. Simply put, the story concerns the decline and fall of a once-proud family, thanks to the alcoholism of its paterfamilias. Toivo Makela delivers a powerfully effective performance as the inebriated protagonist, avoiding the usual "drunken" cliches. The overlong running time, coupled with the downbeat nature of the subject, limited the film's worldwide appeal.

It is the summer of 1941. An eastern-Finnish machine gun company receives an order to turn in their surplus equipment. The company is transferred to the front lines. The next morning the soldiers wake to the sound of guns – the war has begun.

Based on short stories by early 20th century feminist writer Maria Jotuni, the film is a series of lively dialogue scenes between men and women, young and old, living in a small Finnish town. Most episodes evolve into humorous battles between the sexes. The film's central character is a young maid played by Maija Karhi.

Documentary footage from the 1952 Olympic Games in Helsinki.

A first part of a documentary on the 1952 Olympic Games in Helsinki.

Eager young radio reporter Teräsvuori stages a one-man burglary into the Helsinki Art Museum, recorded on tape for a later broadcast by his friend Laakso. Things go awry when a gang of real criminals overhear their plans and book their heist to coincide. Teräsvuori gets caught but escapes from police custody to start his private investigations together with female radio colleague Eila.

Based upon the popular folk song, the film tells the story of two men who want to test the new Sheriff, who has new policies to put in place.

Reino Köyri the son of a wealthy house falls off a horse and ends up at Liuhala's cottage to be treated by Venla. There he falls in love with the daughter of the house Anna. The couple’s cohabitation is hampered by previous commitments and ambiguities in kinship.