Otto Tober

Kampf um Norwegen – Feldzug 1940 is a 1940 Nazi propaganda film directed by Martin Rikli and Dr. Werner Buhre under orders of the Oberkommando der Wehrmacht. The documentary film follows the Invasion of Denmark and Norway in the spring of 1940

In Race Symphony (1928), Richter documents and celebrates a typical day at the German races, where a sophisticated people turn up in droves to gape, gasp, place a bet, and celebrate a well-deserved win.

A nobleman wishes to help the woman he had seduced and abandoned years earlier when he learns that she is now on trial for murder.

A beautiful and popular young woman enters a relationship with a wealthy womanizing cavalry captain.

In his film version, Curt Goetz shifts the focus away from the poetic output towards the young Friedrich Schiller himself: on the misery of his soul whilst a pupil of the ducal military academy, his opposition to the strict physical drill and the narrow intellectual confines of the "Karlsschule", his juvenile passion for the works of Shakespeare, Klopstock and Lessing, his anger at unjust authorities, his devotion to women, and finally his inability to cope with financial matters

On the surface a straightforward tale of the search for a buried treasure, the film is a textbook example of German expressionism, with the passions of the protagonists conveyed as much through symbolism as action.

Lorenz Ferleitner has worked his way up from a poor but gifted farm boy to a recognized master builder. When a new cathedral is to be built, he is given the honor of carrying out the task. He would like to commission the unknown young painter Fritz Rasmussen to decorate the dome. The director of the art academy, Professor Marquardt, however, wants to employ his untalented nephew for the painting work. A bitter conflict unfolds.

Andreas Rellnow decides to leave his troubled parents and pursue an artistic career. As a violin virtuoso, he quickly became popular and a first-class heart-breaker.