Arnaud Valois

マーク (ダン・レヴィ) は、名高い夫オリヴァー (ルーク・エヴァンス) の影で生きることに満足していました。しかし、オリヴァーが突然の死を遂げたことで、マークの幸せは崩れ去ってしまいます。そして、2人の親友ソフィー (ルース・ネッガ) とトーマス (ヒメーシュ・パテル) とともに、パリへ自分探しの旅に出かけたマーク。その旅で、彼らそれぞれが向き合うべき厳しい真実を知ることに...。本作「ため息に乾杯」で長編映画の脚本・監督デビューを飾るレヴィは、自身が率いる製作会社Not a Real Production Companyを通して、シスター・ピクチャーズとともに製作も手掛けます。

Romane and Clemence are between 25 and 30 years old, they are sister and they live together in a big house. They lost her mother in a car crash that caused a disability in Clemence: she cannot walk properly or talk and Romane take care of her daily. A fascinating Corsican man, Romane’s new boyfriend, will come in between them as he feels invested in the duty to help the young girl recover. Their complicity grows up to change the relationship. A film that leads to question the power of sisterhood and of female fascination.

Zaps, sit-ins, die-ins, flyers, parades: in the early 90s, to fight against the general indifference to the AIDS epidemic, the Act Up movement invented a new language, a new style of activism, spectacular and provocative, which still inspires new generations of activists. This is what this documentary aims to show, by going back into the genesis and making of BPM (Beats per Minute), the 2017 Cannes Film Festival's grand prize winner, six times winner of the Cesar award. The film also shows how BPM (Beats per Minute) intertwines autobiographical memories and romantic lyricism, as close as possible to historical reality, and how Act Up was for Robin Campillo the founding personal experience that made him a filmmaker.

Esther receives an anonymous diary, written 20 years ago by a young girl in hospital. The girl’s story resonates deeply with Esther, who is still suffering from a recent break-up. Supported by her best friend Elena, Esther becomes obsessed with finding the diary’s mysterious author and getting to know what became of her. Her investigation turns into a genuine introspective journey for Esther to heal, move on with her past and eventually come back to life.

Just when the school year is about to start after the summer break, 17-year-old Hedi learns that it has been decided by the administration that he must change his family name. The news troubles him and raises all kinds of questions: does changing his name also mean changing his identity, becoming someone else? Everyone around him has an opinion on the matter. It's up to him to discover his own, without becoming too lost in the process.

Just when the school year is about to start after the summer break, 17-year-old Hedi learns that it has been decided by the administration that he must change his family name. The news troubles him and raises all kinds of questions: does changing his name also mean changing his identity, becoming someone else? Everyone around him has an opinion on the matter. It's up to him to discover his own, without becoming too lost in the process.

A 16 year old girl, bored with her own age group, becomes involved with an older man at a theater she passes.

Jérémie, a young man reaching a breaking point on all fronts, decides to leave behind Paris and return to Limosin, to the home of his intrusive mother.

A young woman is sent to Paradise Hills to be reformed, only to learn that the high-class facility's beautiful facade hides a sinister secret.

A working woman, mother a three children, realizes that, when her youngest one is about to go to Canada to continue her education, she will end up out of her most precious goal, being a mother.

Jérémy, paratrooper, returns from Central Africa after the death of his brother in arms, Sofiane. He finds himself at his mother's house, who does not know how to help him to get back on his feets . The daily slowly resumes its course, but Jeremy remains haunted by the death of his friend.

Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.

The Girl on the Train is a 2009 French drama film directed by André Téchiné. Jeanne is a young woman, striking but otherwise without qualities. Her mother tries to get her a job in the office of a lawyer, Bleistein, her lover years ago. Jeanne fails the interview but falls into a relationship with Franck, a wrestler whose dreams and claims of being in a legitimate business partnership Jeanne is only too happy to believe. When Franck is arrested, he turns on Jeanne for her naivety; she's stung and seeks attention by making up a story of an attack on a train. Is there any way out for her?

Marco leads a double life. As Marco, he is a construction worker but rich ladies craving sexual excitation know him as Patrick. As Marco he is married to Fanny, an ambitious young woman who has opened her own hairdressing salon in partnership with her friend Rosalie. Marco/Patrick is not a male prostitute at heart: in fact he does the job in order to support his wife's business. Which doesn't prevent Judith, an elegant tele-shopping presenter who buys his services, from falling in love with him. But when Fanny learns what Marco does and with whom, she first gets mad but soon starts interfering in their affair.

The seemingly separate lives of a group of men intersect entwining the fates of each of them over the course of a week.

Jérémie has a job recruiting subjects for testing. He'd rather recruit Rodrigue for something else entirely.

Jérémie has a job recruiting subjects for testing. He'd rather recruit Rodrigue for something else entirely.