Pierre-Hubert Martin

参加作品

Beating Sun
Director of Photography
Max is preparing an architecture and landscape competition for the city of Marseille. He is confident, his project is daring but pioneering. The oral is going well. The garden on this square is finally emerging and with it radical changes for the inhabitants as well as for Max whose career is stalling dangerously.
Teodor Currentzis: Utopia
Director of Photography
Utopia, the new orchestra of conductor Teodor Currentzis, can be experienced for the first time in Vienna on its inaugural tour with the 1945 version of Igor Stravinsky’s ‘The Firebird’ and Maurice Ravel’s Suite No. 2 of ‘Daphnis et Chloé’, ‘La Valse’ and ‘Boléro’.
The Temple Woods Gang
Director of Photography
A retired military man lives in the Temple Woods housing project. Just as he’s burying his mother, his neighbour Bébé, who belongs to a gang of robbers from the area, is preparing to rob the convoy of a wealthy Arab prince.
A Woman
Director of Photography
Juliane, a police commissioner in Paris, is a woman with great moral integrity. But when she discovers her husband’s double life, she starts committing acts she never would have thought herself capable of.
A Night at the Louvre: Leonardo da Vinci
Director
A guided tour through the corridors of the Louvre to closely contemplate the works of Leonardo in the company of the curators of the exhibition, Vincent Delieuvin and Louis Frank.
The Great Ghosts
Director of Photography
When dancer, choreographer and acrobat Yoann Bourgeois was invited by the Center des Monuments Nationaux to create a performance for the Pantheon in Paris, he chose the fight against gravity as his leitmotif. “The Mechanics of History – an attempt to approach a point of suspension” became a dizzying performance that took place in the ridge of this historic dome. The Great Ghosts is a cinematographic adaptation of this special project in a breathtaking setting. Balance and movement are the starting points for the choreography, with the famous Foucault Pendulum as the constant center. Bourgeois uses trampolines, a turntable and his famous “seesaw of frivolity”, with which he defies gravity and balances between beauty and fear. How far do the dancers dare to go while playing with Foucault’s Pendulum? And for how long?
Fait divers
Director of Photography
The day barely rises when Gregor is snatched from his sleep by the police drumming at his door. They need to use his balcony to access his neighbor's apartment, which no one has heard from for nearly two years. The discovery of the putrefying corpse will haunt Gregor for a whole day, a day that will prove decisive for the rest of his life. When night falls, backtracking will no longer be possible.
A Paris Education
Director of Photography
Etienne comes to Paris to study filmmaking at the Sorbonne. He meets Mathias and Jean-Noël who share his passion for films. But as they spend the year studying, they have to face friendship and love challenges as well as choosing their artistic battles.
Cajou
Director of Photography
Ismael's Ghosts
First Assistant Camera
The film tells the tale of a widowed film director who is in the middle of making a film about an atypical diplomat inspired by his brother. While he has started a new life with Sylvia, he still mourns the death of a former lover, Carlotta, who passed away 20 years earlier; then Carlotta returns from the dead, causing Sylvia to run away.
Sarah Winchester: Ghost Opera
First Assistant Camera
An opera ballet that doesn't exist. A ghost-like piece, played in Opera Bastille and danced at Opera Garnier. An almost mystical link between both scenes. A musician is testing sounds in Bastille's pit. The choir are taking their place in the rehearsal studio. Both sides are fine tuning the work in progress of an opera ballet: Sarah Winchester, her grief, her madness, her home and her ghosts.
Lumière noire
Director of Photography
Figures
Director of Photography