Joanne Robertson

参加作品

Making Movie History: Alanis Obomsawin
Director
Alanis Obomsawin talks about how she got her start at the NFB and the overarching importance of sound/story in her work.
Making Movie History: Bonnie Sherr-Klein
Director
Bonnie Sherr-Klein recalls the early days of Studio D, the women's studio, and the birth of the seminal film Not a Love Story which she co-directed.
Making Movie History: Evelyn Lambart
Director
Animation pioneer Evelyn Lambart recalls arriving at the NFB in the 1940s, her celebrated collaborations with Norman McLaren and her approach to her solo work.
Making Movie History: Anne Wheeler
Director
Director and editor Anne Wheeler reflects on her early documentaries with the NFB, the birth of the North West and Prairie Studios and working with Donald Sutherland.
Making Movie History: Dorothy Todd Hénaut
Director
Dorothy Todd Hénaut describes her arrival at the NFB and her work on the groundbreaking Challenge For Change community filmmaking program.
Making Movie History: Carol Geddes
Director
Director and writer Carol Geddes reflects on telling stories from an aboriginal perspective as a filmmaker in the NFBs North West studio.
Making Movie History: Sylvia Hamilton
Director
Director Sylvia Hamilton reflects on her work with the NFBs Atlantic Studio and the birth of New Initiatives in Film - A Studio D initiative for women of colour and aboriginal women.
Mohawk Girls
Producer
For three teenage girls growing up in Kahnawake — and indeed, all teenagers on the reserve — life can be quite confusing. If they want to move away to pursue new experiences — perhaps in nearby Montreal — they risk losing credibility, or worse yet, their rights as Mohawk women. Of course, if they stay, their opportunities in the tiny community are limited. With insight, humour and heart, director Tracey Deer (who left Kahnawake to attend school and pursue filmmaking) returns to her community to follow these Mohawk girls and tell their stories. Her deeply emotional documentary reveals the complex hope, heartache and promise of growing up Indigenous in the 21st century.