A film that brandishes the documentry form and art to try to dismantle the stigma of being HIV positive that still persists in society. The film honours the past and the iconic Thom McGinty, the Diceman, who was one of the first to speak openly in Ireland about having AIDS but, other than that, it’s very firmly rooted in the here and now. Based on a theatre show, the stories in this film move between bodies of young men, migrant women, drag artists and activists. A form-flipping documentary, it features a cast of actors as well as ordinary people coming out on screen for the first time.
A film that brandishes the documentry form and art to try to dismantle the stigma of being HIV positive that still persists in society. The film honours the past and the iconic Thom McGinty, the Diceman, who was one of the first to speak openly in Ireland about having AIDS but, other than that, it’s very firmly rooted in the here and now. Based on a theatre show, the stories in this film move between bodies of young men, migrant women, drag artists and activists. A form-flipping documentary, it features a cast of actors as well as ordinary people coming out on screen for the first time.
Estranged sisters Jess and Maddie return to Red Lake, mourning their father’s death. As tensions rise and the night unravels, Jess discovers that some legends are real and resentment can indeed breed a monster.
"Mad" Mary McArdle returns to Drogheda after a short spell in prison for something she'd rather forget. Back home, everything and everyone has changed. Her best friend, Charlene, is about to get married and Mary is maid of honor. When Charlene refuses Mary a 'plus one' on the grounds that she probably couldn't find a date, Mary becomes determined to prove her wrong.
